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Township Auditorium
1703 Taylor Street
Columbia, SC 29201
803-576-2350
Wed 21 May 2025 - 19:15 EDT
Onsale: Wed 15 Jan 2025 - 19:18 EDT
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Bio: The Marshall Tucker Band

Doug Gray – lead vocals
 
B.B. Borden – drums
 
Tony Black – bass / vocals
 
Marcus James Henderson – keyboards / saxophone / flute / vocals
 
Chris Hicks – guitar / vocals
 
Rick Willis – guitar / vocals
 
Whenever you drop that proverbial quarter into the virtual jukebox of songs that always manage to reach down and touch your soul the exact moment you cue them up, you inevitably find certain artists have a deeper resonance than others when it comes to providing the soundtrack that mirrors the highs and lows of your own life. The Marshall Tucker Band is one such group that continues to have a profound level of impact on successive generations of listeners who’ve been searchin’ for a rainbow and found it perfectly represented by this tried-and-true Southern institution for over five decades. “I’ve been in tune with how music can make you feel, right from when I was first in the crib,” observes lead vocalist and bandleader Doug Gray, who’s been fronting the MTB since the very beginning. “I was born with that. And I realized it early on, back when I was a little kid and my mom and dad encouraged me to get up there and sing whatever song came on the jukebox. It got to the point where people were listening to me more than what was on the jukebox! There’s a certain frequency I found I could share, whether I was in front of five people or 20,000 people. And once that frequency is there, everybody will listen.”
 
The Marshall Tucker Band came together as a young, hungry, and quite driven six-piece outfit in Spartanburg, South Carolina in 1972, having duly baptized themselves with the name of a blind piano tuner after they found it inscribed on a key to their original rehearsal space — and they’ve been in tune with tearing it up on live stages both big and small all across the globe ever since. Plus, the band’s mighty music catalog, consisting of more than 20 studio albums and a score of live releases, has racked up multi-platinum album sales many times over in its wake. A typically rich MTB setlist is bubbling over with a healthy dose of indelible hits like the heartfelt singalong “Heard It in a Love Song,” the insistent pleading of “Can’t You See” (the signature tune of MTB’s late co-founding lead guitarist and then-principal songwriter Toy Caldwell), the testifying travelogue warning of “Fire on the Mountain,” the wanderlust gallop of “Long Hard Ride,” and the unquenchable yearning pitch of “Ramblin’,” to name but a few. (See, we can hear you singing along to all of them in your head right now as you read this.)
 
Indeed, the secret ingredient to the ongoing success of The Marshall Tucker Band can be found within a cauldron of musical styles that mixes together equal parts rock, blues, jazz, country, soul, and bluegrass. In essence, it’s this inimitable down-home sonic bouillabaisse that helped make the MTB the first truly progressive Southern band to grace this nation’s airwaves — the proof of which can be found within the gritty grooves and ever-shifting gears of “Take the Highway,” the first song on their self-titled April 1973 debut album on Capricorn Records, The Marshall Tucker Band. “We had the commonality of having all grown up together in Spartanburg,” explains Gray about his original MTB bandmates, the aforementioned guitar wizard Toy Caldwell and his brother, bassist Tommy Caldwell, alongside rhythm guitarist George McCorkle, drummer Paul T. Riddle, and flautist/saxophonist Jerry Eubanks. “The framework for Marshall Tucker’s music is more like a spaceship than a house,” Gray continues, “because you can look out of a lot of windows and see a variety of things that show where we’ve been and what we’ve done, and how we’ve travelled through time to bring those experiences out in all of our songs.”
 
The Marshall Tucker Band’s influence can be felt far and wide through many respected contemporaries and the artists who’ve followed the path forged by their collective footsteps and footstomps. “MTB helped originate and personify what was to become known as Southern rock, and I was privileged to watch it all come together in the ’70s, night after night,” confirms the legendary Charlie Daniels. “In fact, The Charlie Daniels Band has played more dates with The Marshall Tucker Band over the past 45 years than any other band we’ve ever worked with. Even after all these years — after the tragedies, the miles, the personnel changes, and the many developments in the music business — MTB and CDB are still a viable package that offers an entertaining and crowd-satisfying show.” Daniels adds that he never gets tired of seeing his MTB brothers on the road: “Whenever Doug Gray walks into my dressing room with that big ol’ smile of his and then we hug each other and sit and talk for a while, the evening is complete.”
 
“I remember seeing Marshall Tucker and The Outlaws play together in Jacksonville many years ago, when I was just a kid,” recalls Lynyrd Skynyrd lead singer Johnny Van Zant, who faithfully watched the MTB open for his band on a few lengthy, fruitful runs during the 2018 portion of Skynyrd’s still-in-progress The Last of the Street Survivors Farewell Tour. “And I heard them all over the radio back then too. They were just so cool and so unique that I fell in love with the band, and I also fell in love with the music. Having them open for us on all those dates was like a dream come true, and they’re still as good as I’ve ever seen them. It brought back a lot of memories for me, because I really looked up to those guys when I was first starting out.”
 
Adds Ed Roland, the lead vocalist and chief songwriter for Collective Soul, “The Marshall Tucker Band had a big influence on me growing up — and they still do.” Roland, who’s lived the majority of his life in and around Atlanta, also proudly points out that his band’s biggest hit, “Shine,” owes a clear debt to the musical structure of “Can’t You See,” and he’ll often start off by singing the opening line to that song — “I’m gonna take a freight train” — whenever Collective Soul performs “Shine” live. “We don’t want to stray from what we grew up listening to,” Roland continues. “I think that’s something important for people to hear. It’s just who we are, and I don’t think we should run from it. Hopefully, people see that connection to the bands we love like Marshall Tucker in our music.”
 
Though Doug Gray recently turned 70 years young, he sees no end to the road that lies ahead for The Marshall Tucker Band, whose legacy is being carried forward quite reverentially by the man himself and his current bandmates, drummer B.B. Borden (Mother’s Finest, The Outlaws), bassist/vocalist Tony Black, keyboardist/saxophonist/flautist/vocalist Marcus James Henderson, guitarist/vocalist Chris Hicks, and guitarist/vocalist Rick Willis. “You know, I think it was Toy Caldwell’s dad who said, ‘There’s more to gray hair than old bones,’ and we still have a lot of stories yet to tell,” Gray concludes. “People ask me all the time what I’m gonna do when I turn 80, and I always say, ‘The same thing that we’re continuing to do now.’ We’re road warriors, there’s no doubt about that — and I don’t intend to stop.” May the MTB wagon train continue running like the wind on a long hard ride for many more years to come. One thing we absolutely know for sure: If you heard it in a Marshall Tucker Band song, it can’t be wrong.        
 
Mike Mettler, this ol’ MTB chronologist
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Bio: JJ Grey & Mofro

JJ Grey & Mofro – Olustee

Bio written by Marc Lipkin

 

“Impassioned singing, riff-based Southern rock, cold blooded swamp funk and sly Memphis soul…Rich, funky blues celebrate life’s most fundamental joys. Grey is a singer-songwriter with unforced talent and deep feeling.” –The New York Times

“A deeply-rooted blend of southern-fried rock and swamp funk…richly evocative lyrics...plainspoken, blue-collar American music.” –NPR

“The swami of swamp rock...JJ Grey is a North Florida sage and purveyor of the funkiest swamp rock the world has ever heard…chicken-scratch guitar and bone-deep songs.”
–Oxford American


According to musician, singer and artist JJ Grey, “The best songs I’ve ever written, I never wrote. They wrote themselves. The best show I ever played, played itself and had little to do with me or talent. To me, those things come from the power of an honest moment, and I guess I’m trying to live in that power and not force life to cough up what I want.”


Since his first album, Blackwater, back in 2001, Grey has been releasing deeply moving, masterfully written, funkified rock and front porch Southern soul music. Now, with his new album, Olustee—his tenth and first in nine years, and the first he has self-produced—Grey is back, singing his personal stories with universal themes of redemption, rebirth, hard luck, and inner peace. With his music, Grey also celebrates good times with lifelong friends, oftentimes mixing the carnal with the cerebral in the very same song. Fueled by his vividly detailed, timeless originals spun from his own life and experiences in the Northern Florida swampland, Grey’s gritty baritone drips with honest passion and testifies with a preacher’s foot-pounding fervor.


With Olustee, JJ Grey has once again pushed the boundaries of his own creative musical, lyrical and vocal talents, delivering an album that is destined to become a stone-cold classic. Many of the songs are steeped in the mythical Southern stories of his ancestral Florida home and filled with people from JJ’s life. The songs overflow with the sights and sounds of the region as told through the eyes of a poet and sung with pure, unvarnished soul. The album’s eleven songs range from the introspective opener The Sea to the raucous, celebratory first radio single, Wonderland, to an escape from an out-of-control wildfire in the title track, to the inward-looking closer, Deeper Than Belief. Singing of his own personal triumphs and struggles, his hopes and desires, his friends and family, Grey’s message is simple and strong: respect the natural world and always try to live in the moment. And never forget the importance of having a good time.


Grey made his recording debut in 2001 with Blackwater, following up in 2004 with Lochloosa. Both albums were released on the Fog City label under the name Mofro, a moniker the young Grey chose to describe his music and sound while still working his day job at a lumberyard. He has since used the word to name his band of world-class players. In 2007, Grey signed with Alligator Records and released a string of five popular and successful albums: 2007’s Country Ghetto, 2008’s Orange Blossoms, 2010’s Georgia Warhorse, 2011’s live CD/DVD Brighter Days and 2013’s This River. Ol’ Glory was released on the Provogue label in 2015. Throughout this amazing run of releases, press, radio and years of touring helped catapult JJ Grey & Mofro further into the mainstream.


JJ Grey & Mofro have played countless festivals, including Lollapalooza, Bonnaroo, Wakarusa, Austin City Limits Festival, Byron Bay Blues Festival (Australia), Montreal Jazz Festival and Fuji Rock (Japan). Over the course of his career, Grey has shared stages with the likes of Lenny Kravitz, B.B. King, The Allman Brothers Band, The Black Crowes, Los Lobos, Jeff Beck, Ben Harper, Booker T. Jones, Mavis Staples, and many others. Grey and his band continue to play over 75 shows a year across the U.S. and around the world.


JJ’s songs have appeared in films and on television, including on House Of Cards, Criminal Minds, Bones, House, Flashpoint, Crash, Friday Night Lights, The Glades, The Deadliest Catch and in films including The Hoot and The Gray Man. In November 2009, JJ wrote his first film score for the critically-acclaimed, Emmy Award-winning documentary The Good Soldier, which appeared in theatres and on Bill Moyers Journal on PBS.


Grey, an avid outdoorsman, is a dedicated fisherman, a skilled visual artist (he has designed and drawn the cover art on all of his albums), an expert surfer and he holds an honorary position on the board of the Angler Action Foundation, dedicated to the protection of coastal fish and fish habitat. He has written passionately and articulately about his love for the untrammeled environment of his North Florida home and continues to advocate for its preservation.


From his early days playing cover music behind chicken wire at a west side Jacksonville juke joint, to playing sold-out shows at some of the largest venues and music festivals in the world, JJ Grey has always delivered his soul-honest truths. Now, with Olustee, JJ Grey & Mofro will bring their music directly to fans as they hit the road for a massive months-long tour across the country and throughout the world. AllMusic says JJ Grey’s music is “as authentic as the ground under your feet because that’s where it comes from—just before it moves, simply and directly, through the body of the listener, into the human heart.”


DISCOGRAPHY:

2024 Olustee (Alligator)
2015 Ol’ Glory (Provogue)
2013 This River (Alligator)
2011 Brighter Days (Alligator)
2010 Georgia Warhorse (Alligator)
2009 The Choice Cuts (Alligator, vinyl-only “Best Of”)
2008 Orange Blossoms (Alligator)
2007 Country Ghetto (Alligator)
2004 Lochloosa (Fog City)
2001 Blackwater (Fog City)

 

Alligator Records, LLC

P.O. Box 60234, Chicago, IL 60660

www.alligator.com[email protected]

(773) 973-7736

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