Pink Martini
Pink Martini Dates
Fri 14 Feb 2025 - 20:00 PST
Sat 15 Feb 2025 - 20:00 PST
Fri 28 Feb 2025 - 20:00 CST
Sat 1 Mar 2025 - 19:30 CST
Pantages Theatre - MN, Minneapolis, MN
Sun 2 Mar 2025 - 19:30 CST
Pantages Theatre - MN, Minneapolis, MN
Tue 4 Mar 2025 - 19:00 CST
Hoyt Sherman Place, Des Moines, IA
Fri 7 Mar 2025 - 20:00 CST
OKC Civic Center Music Hall, Oklahoma City, OK
Sun 9 Mar 2025 - 19:30 CST
Gillioz Theatre, Springfield, MO
Wed 12 Mar 2025 - 20:00 CST
Sheldon Concert Hall, St. Louis, MO
Fri 14 Mar 2025 - 11:00 EST
Hilbert Circle Theatre, Indianapolis, IN
Fri 14 Mar 2025 - 19:00 EST
Hilbert Circle Theatre, Indianapolis, IN
Sun 16 Mar 2025 - 19:30 EST
Lexington Opera House, Lexington, KY
Sat 5 Apr 2025 - 19:30 PST
Sun 6 Apr 2025 - 15:00 PST
Sat 12 Apr 2025 - 19:30 PST
Mon 14 Apr 2025 - 20:00 PST
Revolution Hall, Portland, OR
Sat 2 Aug 2025 - 20:00 EST
Cape Cod Melody Tent, Hyannis, MA
Sun 24 Aug 2025 - 20:00 PST

Pink Martini Biography

In 1994 in his hometown of Portland, Oregon, Thomas Lauderdale was working in politics, thinking that one day he would run for mayor. Like other eager politicians-in-training, he went to every political fundraiser under the sun… but was dismayed to find the music at these events underwhelming, lackluster, loud and un-neighborly. Drawing inspiration from music from all over the world – crossing genres of classical, jazz and old-fashioned pop – and hoping to appeal to conservatives and liberals alike, he founded the “little orchestra” Pink Martini in 1994 to provide more beautiful and inclusive musical soundtracks for political fundraisers for causes such as civil rights, affordable housing, the environment, libraries, public broadcasting, education and parks.

One year later, Lauderdale called China Forbes, a Harvard classmate who was living in New York City, and asked her to join Pink Martini. They began to write songs together. Their first song “Sympathique (Je ne veux pas travailler)” became an overnight sensation in France, was nominated for “Song of the Year” at France’s Victoires de la Musique Awards, and to this day remains a mantra (“Je ne veux pas travailler” or “I don’t want to work”) for striking French workers. Says Lauderdale, “We’re very much an American band, but we spend a lot of time abroad and therefore have the incredible diplomatic opportunity to represent a broader, more inclusive America… the America which remains the most heterogeneously populated country in the world… composed of people of every country, every language, every religion.”

Featuring a dozen musicians, with songs in 25 languages, Pink Martini performs its multilingual repertoire on concert stages on six continents. After making it’s European debut at the Cannes Film Festival in 1997 and its orchestral debut with the Oregon Symphony in 1998, the band has gone on to play with more than 50 orchestras around the world, including multiple engagements with the Los Angeles Philharmonic at the Hollywood Bowl, the Boston Pops, the National Symphony at the Kennedy Center, the San Francisco Symphony, the Cleveland Orchestra, and the BBC Concert Orchestra at Royal Albert Hall in London. In 2014, Pink Martini was inducted into both the Hollywood Bowl Hall of Fame and the Oregon Music Hall of Fame.

Pink Martini has released 11 studio albums on its own independent label Heinz Records (named after Lauderdale’s dog), selling over 3 million albums worldwide. In 2019, the band released two EPs featuring the vocals of Pink Martini’s newest members Jimmie Herrod and Edna Vazquez. Both vocalist have toured with the band for the past year and are officially part of the group with the release of Herrod’s EP Tomorrow and Vaquez’s Besame Mucho, both of which were co-produced by Thomas Lauderdale and China Forbes.

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