NYC trio Consider the Source defy easy description. If intergalactic beings of pure energy, after initiation into an order of whirling dervishes, built some kind of pan-dimensional booty-shaking engine, powered by psychedelics and abstract math, it’d probably just sound like a CTS tribute band. Drawing from progressive rock, fusion and jazz, with alien sounds soaked in Indian and Middle Eastern styles, CTS blends disparate parts into a striking, utterly original whole. Dubbed “Sci-Fi Middle Eastern Fusion”, the band’s music strikes a rare balance between cerebral and emotional, intellectual and primal. A relentless touring schedule has won the band a fervent following from California to Israel, with fans ranging from jam-band hippies and jazz cats to corpse-painted headbangers and prog geeks.

Formed in 2004, Consider the Source features Gabriel Marin on fretless double-neck guitar, bassist John Ferrara, and drummer/percussionist Jeff Mann. Called “the guiding light for his generation of six-stringers”, Marin channels the mystical fury of McLaughlin and Coltrane into wailing melodies, kaleidoscopic soundscapes and boneshaking riffs. With a background in classical musics both Eurpoean and Indian, and an instinct for avant-jazz and destructive metal, Marin’s hypnotic fusion of styles is ever unpredictable. Ferrara’s propulsive, percussive attack, equally suited to simple grooves and impossible chords, can ground the music or launch it into space. His madcap gumbo of slap bass, Indian rhythms, earthy minimalism and complex tapping constantly pushes into strange new worlds, whilst still dropping thick booty-clap beats. Underneath them lies Mann’s rolling thunder; dense rhythmic architecture built from pure swagger and bounce. Half double-bass prog-metal, half crackle-pop Buddy Rich swing, with African and Balkan swirls, Mann’s muscular, freewheeling polyrhythms are the engine fuel for Consider’s multiversal mischief. Even when not improvising, Consider’s music is always a conversation, a roiling stew of dynamic interplay. Each member of Consider the Source alternately leads and follows, spars and assists; in any single song, alliances are made and broken, bargains struck and divorces finalized.

Touring from coast to coast, as well as Europe and the Middle East, has not only earned the band thousands of fans, but has allowed them to perform with a wide variety of well-known artists, including Victor Wooten, Wayne Krantz, King Crimson Projekt, Kris Myers (Umphrey’s McGee), Wyclef Jean, Andy Statman, Matt Darriau (Paradox Trio), Oteil Burbridge, Jacob Fred Jazz Odyssey, Dumpstaphunk, Keller Williams, George Porter, Jr., Jeff Sipe, Panzerballet (Germany), Eatliz (Israel), Freak Kitchen (Sweden), Morglbl (France), and many others. They have performed at numerous festivals and events, including Burning Man, Gathering of the Vibes, the NYC Fretless Guitar Festival, Catskill Chill, Sun Seekers Ball (Canada), Aura Music & Arts Festival (Florida), Jazz Fest (New Orleans), Head For The Hills Festival & SXSW (Texas), Rootwire (Ohio), and the NYC Gypsy Festival. The band’s latest release, “World War Trio (Parts 2 & 3)” (2016) is available at considerthesourcemusic.bandcamp.com.

************************* Cycles epitomize the power-trio format with ripping guitar, fat bass grooves played out through furious slapping, and viciously dynamic drum beats flowing over intricate tempo changes. The current incarnation of the ever-developing sound of Cycles reveals itself today as a speeding freight train of sound and rhythm. Screaming peaks and balanced grooves find their way out of the chaos of a jam while samples ripped from the likes of Madonna, Lil Nas X and many more ring out and grab the unsuspecting audience by surprise, adding to the multicolored blend of sound filling a room and often standing out as comedic elements of the show. Drawing influence from artists such as Rage Against the Machine, J. Dilla, Primus, Weather Report, and many more, Cycles fuse an eclectic blend of genres to produce an original sound that has become harder and harder to find. Although only a few years old, Cycles have over 350 shows under their belt with tours extending across the entire U.S. A heavy touring schedule keeps them on their toes while providing the inspiration to continue to write and always strive to play better. Look out for their name soon on a festival schedule in your hands or a club marquee playing with your favorite bands.

Cycles epitomize the power-trio format with ripping guitar, fat bass grooves played out through furious slapping, and dynamic drum beats flowing over intricate tempo changes. Each member wields a unique take on their instrument that when played together, forms a truly fresh and cohesive sound. Patrick Harvey commands the guitar with speed and precision reminiscent of Jimmy Herring while using his loop pedal virtually as its own instrument, a skill unique only to him. Michael Wood has subtly forged a drum style that showcases his rare ability to mashup funky hip-hop beats with frenzied rock riffs and only displays flashy technique when necessary while implementing the creative use of various sound-modulating drum triggers. At the heart of the band lies Tucker McClung’s dominant slap-bass chops that captivates audiences and pumps the musical blood through the band.

The current incarnation of the ever-developing sound of Cycles reveals itself today as a staggering display of seemingly innocuous lyrics over purposeful compositions that only begin to mean more with time. Screaming peaks and balanced grooves find their way out of the chaos of a jam while samples ripped from anything between Prince, Missy Elliott, Chris Farley and Mortal Kombat movie quotes (and much more) ring out in the mix adding to the multicolored blend of sound filling a room and often standing out as comedic elements of the show. Drawing influence from artists such as Rage Against the Machine, J. Dilla, Primus, Weather Report, and many more, Cycles fuse an eclectic blend of genres to produce an original sound that has become harder and harder to find. Although only a few years old, Cycles have over 250 shows under their belt with tours extending across the entire U.S. A heavy touring schedule keeps them on their toes while providing the inspiration to continue to write and always strive to play better. Look out for their name soon on a festival schedule in your hands or a club marquee playing with your favorite bands.