WILLOW had an explosive 2021 with the release of her fourth solo studio album, lately I feel EVERYTHING, which showcased her pop-punk debut and featured heavy hitters such as Travis Barker, Avril Lavigne and more. The album reached Top 5 on Billboard’s Alternative Albums chart, and has amassed nearly 495M global streams to date. lately I feel EVERYTHING was also featured in several end-of-year “best of” lists, including NPR and Complex’s “Best Albums of 2021.” WILLOW has also earned a nomination for “Best Alternative Artist” at the 2022 iHeartRadio Music Awards.

The lead single off the album, “t r a n s p a r e n t s o u l feat. Travis Barker” reached #4 at Alternative Radio and is now certified Gold. The official video was also nominated for an MTV VMA in the Best Alternative category.

As part of the album launch in April 2021, Willow partnered with Facebook for an exclusive concert experience called WILLOW IN CONCERT: lately I feel EVERYTHING. Off the back of this performance, "Meet Me At Our Spot”, a track from The Anxiety project with Tyler Cole in 2020, caught fire on TikTok and breathed new life into the song across DSPs. The song rose to #12 at Pop radio and #21 on the Billboard Hot 100 chart. With over 1M videos created on TikTok and 650M global streams, the record is now Gold in multiple territories. It has also recently been nominated for “Best Rock Song” by the 2022 Billboard Music Awards.

WILLOW was honored in Billboard’s 21 Under 21 and Forbes’s 30 Under 30 list last year and also won an Emmy Award for “Outstanding Informative Talk Show” (Red Table Talk). She was also named Billboard’s Greatest Pop Stars of 2021: Comeback Artist of the Year. 

Most recently, WILLOW opened for Machine Gun Kelly on his Mainstream Sellout Tour beginning in Summer 2022 which will also include special guests Avril Lavigne, Travis Barker, Blackbear, Trippie Redd and Iann Dior. WILLOW has also released singles “maybe it’s my fault,” “curious/furious,” and “hover like a GODDESS” in anticipation of the release of her upcoming album, coping mechanism, on Friday, October 7^th, 2022. WILLOW is also set to make her first musical guest debut as an SNL performer the following day, Saturday, October 8^th, 2022.

WILLOW’s recent features include Machine Gun Kelly’s “Emo Girl,” Camila Cabello’s “psychofreak,” and PinkPantheress’ “Where you are.” Her hit track “Wait a Minute!” has also seen a resurgence due to a new sped up version of the track on TikTok, with the song reaching Top 25 on Spotify’s Global Songs chart, plus over 1 Billion audio streams and nearly 1 Million TikTok videos created.

Yves Tumor shifts, alters, and plays with the boundaries of contemporary art and culture in a boundlessly visceral and authentic sonic signature. With an arc that effortlessly graces rock, psychedelia, and electronica in a constant re-invention of pop music, comparisons only serve as limitations intended to define that which cannot be. Yves Tumor melds restraint and chaos in a soulful clarity; diluting reality by giving meaning to the abstract and allowing for dissonance to be seen and heard as harmony.

“Yves Tumor redefines Rock Stardom” - THE NEW YORK TIMES

Yves Tumor has announced their most accomplished and anticipated album to date, Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds), set for release on March 17th via Warp Records with an accompanying world tour to commence at Coachella Festival. The album achieves new artistic heights for the project in an uncanny recalibration of pop music. This is Yves Tumor’s most intimate and personal statement to date, guiding the listener through a conceptually manifold spiritual journey –– circuitously weaving darkness to light, pop and innovation, cacophony to church-like calm. Picking up where the albums’ initial “God Is a Circle” single release  left off, The album’s intoxicating melange of addictive melodies and adventurously executed arrangements is aptly emonstrated by “Echolalia,” the latest single + video. Both music videos are directed by visionary Jordan Hemingway  who helmed a previous Yves Tumor video ‘Secrecy Is Incredibly Important To The Both of Them’), that explores an emotive and transgressive world, brilliantly peppered with references of 70’s arthouse cinema.

Praise A Lord....is produced by Noah Goldstein (Frank Ocean, Rosalía, Drake, Rihanna, Bon Iver), and mixed by Alan Moulder (My Bloody Valentine, Nine Inch Nails), lending the album with a sonic signature that acts as a distillation  nd amplification of Yves’ previous work. The album’s boundlessly visceral aesthetic is bolstered by invaluable contributions from long-time collaborators Chris Greatti (Yungblud, WILLOW), Yves Rothman (Girlpool, Amaarae) and Rhys  astings, melding restraint and chaos in a soulful clarity. Throughout, Yves manifests their vision of diluting reality by giving meaning to the abstract and allowing for dissonance to be seen and heard as harmony. 

The release marks the formal follow up to 2021’s acclaimed The Asymptotical World EP in where accolades for this EP included ‘Jackie’ as the #1 song of 2021 via Crack Magazine and in Pitchfork's Top 25 songs of the year. Crushed Velvet was featured in  est of Spotify’s Indie for 2021 and in best songs of the year in Vogue Magazine. The preceding full length 2020 album Heaven To A Tortured Mind, of which also yielded a cavalcade of critical praise, including year-end accolades from New York Times, WSJ, Rolling Stone, Pitchfork, the FADER, NPR and more. More recently Yves Tumor surfaced as the only featured artist on the new WILLOW album <COPINGMECHANISM>. Yves Tumor embodies and controls the unique and influential power to redefine pop music as we know it, with much more to come.

“Tumor’s idiosyncratic and even intimidating aesthetic choices..... are precisely what gives the work its glowing modernity.” –– THE NATION

Yves Tumor will embark on a highly anticipated Global Tour, kicking off with a debut new live show at Coachella Festival and proceeding into an expansive headline and festival tour also including Primavera Sound. Yves Tumor has  quickly become a coveted performance darling, having graced a slew of top tier music festivals from Pitchfork to Outside Lands to Portola to This Ain’t No Picnic, a coveted slot opening for Florence + the Machine, and a substantial run of dates both in the UK and US supporting Nine Inch Nails. The dynamic live performances throughout sold-out venues across North America, UK and Europe were met with critical acclaim. Throughout the impressive and ever-expanding trajectory, Yves Tumor has been praised by The New Yorker as “unmissable” and a “quintessential performer” by The Austin Chronicle, and has been compared to the likeness of musical and cultural force Prince by
The Washington Post, Grace Jones by The Austin Chronicle and Joy Division by Variety. Yves Tumor embodies and controls the unique and influential power to redefine pop music as we know it, with much more to come.

“The quintessential performer, Tumor exudes Prince’s androgyny flare, D’Angelo’s tender masculinity, Iggy Pop’s freakazoid mania, and Grace Jones’ magnetic mystique.” –– THE AUSTIN CHRONICLE