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The Marshall Tucker Band The Outlaws tickets at Patchogue Theatre in Patchogue
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Thu Mar 9, 2023 - 8:00 PM
Patchogue Theatre, Patchogue, NY
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Patchogue Theatre
71 E Main Street
Patchogue, NY 11772
631-207-1300
Thu Mar 9, 2023 - 8:00 PM
Doors Open: 7:00 PM
Onsale: Fri Nov 18, 2022 - 10:00 AM
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Bio: The Marshall Tucker Band

Doug Gray – lead vocals
 
 
B.B. Borden – drums
 
 
Tony Black – bass / vocals
 
 
Marcus James Henderson – keyboards / saxophone / flute / vocals
 
 
Chris Hicks – guitar / vocals
 
 
Rick Willis – guitar / vocals

 
 
Whenever you drop that proverbial quarter into the virtual jukebox of songs that always manage to reach down and touch your soul the exact moment you cue them up, you inevitably find certain artists have a deeper resonance than others when it comes to providing the soundtrack that mirrors the highs and lows of your own life. The Marshall Tucker Band is one such group that continues to have a profound level of impact on successive generations of listeners who’ve been searchin’ for a rainbow and found it perfectly represented by this tried-and-true Southern institution for over five decades. “I’ve been in tune with how music can make you feel, right from when I was first in the crib,” observes lead vocalist and bandleader Doug Gray, who’s been fronting the MTB since the very beginning. “I was born with that. And I realized it early on, back when I was a little kid and my mom and dad encouraged me to get up there and sing whatever song came on the jukebox. It got to the point where people were listening to me more than what was on the jukebox! There’s a certain frequency I found I could share, whether I was in front of five people or 20,000 people. And once that frequency is there, everybody will listen.”
 
 
 
 
 
The Marshall Tucker Band came together as a young, hungry, and quite driven six-piece outfit in Spartanburg, South Carolina in 1972, having duly baptized themselves with the name of a blind piano tuner after they found it inscribed on a key to their original rehearsal space — and they’ve been in tune with tearing it up on live stages both big and small all across the globe ever since. Plus, the band’s mighty music catalog, consisting of more than 20 studio albums and a score of live releases, has racked up multi-platinum album sales many times over in its wake. A typically rich MTB setlist is bubbling over with a healthy dose of indelible hits like the heartfelt singalong “Heard It in a Love Song,” the insistent pleading of “Can’t You See” (the signature tune of MTB’s late co-founding lead guitarist and then-principal songwriter Toy Caldwell), the testifying travelogue warning of “Fire on the Mountain,” the wanderlust gallop of “Long Hard Ride,” and the unquenchable yearning pitch of “Ramblin’,” to name but a few. (See, we can hear you singing along to all of them in your head right now as you read this.)
 
 
 
 
 
Indeed, the secret ingredient to the ongoing success of The Marshall Tucker Band can be found within a cauldron of musical styles that mixes together equal parts rock, blues, jazz, country, soul, and bluegrass. In essence, it’s this inimitable down-home sonic bouillabaisse that helped make the MTB the first truly progressive Southern band to grace this nation’s airwaves — the proof of which can be found within the gritty grooves and ever-shifting gears of “Take the Highway,” the first song on their self-titled April 1973 debut album on Capricorn Records, The Marshall Tucker Band. “We had the commonality of having all grown up together in Spartanburg,” explains Gray about his original MTB bandmates, the aforementioned guitar wizard Toy Caldwell and his brother, bassist Tommy Caldwell, alongside rhythm guitarist George McCorkle, drummer Paul T. Riddle, and flautist/saxophonist Jerry Eubanks. “The framework for Marshall Tucker’s music is more like a spaceship than a house,” Gray continues, “because you can look out of a lot of windows and see a variety of things that show where we’ve been and what we’ve done, and how we’ve travelled through time to bring those experiences out in all of our songs.”
 
 
 
 
 
The Marshall Tucker Band’s influence can be felt far and wide through many respected contemporaries and the artists who’ve followed the path forged by their collective footsteps and footstomps. “MTB helped originate and personify what was to become known as Southern rock, and I was privileged to watch it all come together in the ’70s, night after night,” confirms the legendary Charlie Daniels. “In fact, The Charlie Daniels Band has played more dates with The Marshall Tucker Band over the past 45 years than any other band we’ve ever worked with. Even after all these years — after the tragedies, the miles, the personnel changes, and the many developments in the music business — MTB and CDB are still a viable package that offers an entertaining and crowd-satisfying show.” Daniels adds that he never gets tired of seeing his MTB brothers on the road: “Whenever Doug Gray walks into my dressing room with that big ol’ smile of his and then we hug each other and sit and talk for a while, the evening is complete.”
 
 
 
 
 
“I remember seeing Marshall Tucker and The Outlaws play together in Jacksonville many years ago, when I was just a kid,” recalls Lynyrd Skynyrd lead singer Johnny Van Zant, who faithfully watched the MTB open for his band on a few lengthy, fruitful runs during the 2018 portion of Skynyrd’s still-in-progress The Last of the Street Survivors Farewell Tour. “And I heard them all over the radio back then too. They were just so cool and so unique that I fell in love with the band, and I also fell in love with the music. Having them open for us on all those dates was like a dream come true, and they’re still as good as I’ve ever seen them. It brought back a lot of memories for me, because I really looked up to those guys when I was first starting out.”
 
 
 
 
 
Adds Ed Roland, the lead vocalist and chief songwriter for Collective Soul, “The Marshall Tucker Band had a big influence on me growing up — and they still do.” Roland, who’s lived the majority of his life in and around Atlanta, also proudly points out that his band’s biggest hit, “Shine,” owes a clear debt to the musical structure of “Can’t You See,” and he’ll often start off by singing the opening line to that song — “I’m gonna take a freight train” — whenever Collective Soul performs “Shine” live. “We don’t want to stray from what we grew up listening to,” Roland continues. “I think that’s something important for people to hear. It’s just who we are, and I don’t think we should run from it. Hopefully, people see that connection to the bands we love like Marshall Tucker in our music.”
 
 
 
 
 
Though Doug Gray recently turned 70 years young, he sees no end to the road that lies ahead for The Marshall Tucker Band, whose legacy is being carried forward quite reverentially by the man himself and his current bandmates, drummer B.B. Borden (Mother’s Finest, The Outlaws), bassist/vocalist Tony Black, keyboardist/saxophonist/flautist/vocalist Marcus James Henderson, guitarist/vocalist Chris Hicks, and guitarist/vocalist Rick Willis. “You know, I think it was Toy Caldwell’s dad who said, ‘There’s more to gray hair than old bones,’ and we still have a lot of stories yet to tell,” Gray concludes. “People ask me all the time what I’m gonna do when I turn 80, and I always say, ‘The same thing that we’re continuing to do now.’ We’re road warriors, there’s no doubt about that — and I don’t intend to stop.” May the MTB wagon train continue running like the wind on a long hard ride for many more years to come. One thing we absolutely know for sure: If you heard it in a Marshall Tucker Band song, it can’t be wrong.        
 
 
Mike Mettler, this ol’ MTB chronologist
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Bio: The Outlaws

The Outlaws were born to the blue-collar port city of Tampa, Florida in the early 1970's. The band was made up of Hughie Thomasson, Henry Paul, Monte Yoho, and Frank O'Keefe. At Hughie's urging, Billy Jones moved back to Tampa from Boulder, Colorado in1972 to complete the original five-piece lineup.

 

Joining the likes of Tom Petty and other regional acts at the time, The Outlaws quickly became a favorite of the Tampa college crowd. With the help of newly recruited manager Charlie Brusco, the band set its sights on taking the show on the road. Earning a reputation as a great live band, they lit up the clubs from Macon to Nashville and honky-tonks throughout the southeast.

 

Following in the footsteps of such great bands as The Allman Brothers and The Eagles, The Outlaws developed their own high-powered, guitar-driven country-rock, complete with exciting self-penned music and stellar three-part harmony.

 

At Ronnie Van Zant's urging, Lynyrd Skynyrd manager Alan Walden became management partners with Charlie Brusco, and the two men brought label executives to the up-and-coming band's doorstep. Clive Davis signed the band to his newly formed Arista label in the spring of 1975. The Outlaws' debut album rode the momentum of AOR classic "Green Grass and High Tides" to #13 on Billboard's Hot 100. With substantial success in the live concert arena and on the strength of repeated chart-topping records, The Outlaws established themselves as premiere players in the phenomenon that came to be known as Southern Rock.

 

After decades of triumph, The Outlaws have endured repeated tragedy in the loss of original members Frank O'Keefe, Billy Jones, and most recently signature singer/songwriter/guitarist Hughie Thomasson.

 

Today, the Outlaws are at the threshold of a new era. Along with original singer/songwriter/guitarist Henry Paul and original drummer/songwriter Monte Yoho, the Outlaws feature Chris Anderson, Billy Crain, Randy Threet, and Jon Coleman.

 

Chris Anderson, lead guitarist and longtime Outlaws bandmate, brings his considerable talent as a player, singer, and songwriter to the band. His solo records for Sony in the early 90s and his collaboration with Dickey Betts, Dan Toler, Warren Haynes and The Outlaws over the years have helped establish him as one of Southern Rock's most notable players.

 

Billy Crain has become a household name in the southern rock family of exceptional lead guitar players. He has enjoyed significant success as a songwriter with his songs cut by such artists as the Dixie Chicks, Poco and Martina McBride. With the Henry Paul Band in the late 1970s, he developed a large following with his legendary musicianship, and with Chris Anderson, forms one of the all-time great lead guitar teams in rock and roll.

 

Bassist/Singer/Songwriter Randy Threet became a member of the Outlaws in 2005 through his previous work with Henry in the Country group Blackhawk. He has also played with such artists as Pam Tillis, Larry Boone, Trisha Yearwood, Buddy Jewel, and toured overseas in support of our troops. In 2004 he worked on the USA Network show "Nashville Star". Randy's high energy, great harmonies and solid bass work make him a popular part of "The Outlaws".

 

The most recent addition to the band is keyboard player. Singer/songwriter Jon Coleman. Coleman found his way to The Outlaws through stints with Lee Roy Parnell and the super-group collaboration of Brothers of the Southland, which featured Jimmy Hall of Wet Willie, Dan Toler of The Allman Brothers, Steve Gorman of the Black Crowes, and Henry Paul.

 

Through sheer determination and commitment to the legacy of this great band, the most recent line-up of The Outlaws sets its sights on its musical future, while remaining true to the unique character of The Outlaws past.

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