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Dinosaur Jr. tickets at Terminal 5, New York
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Sat Dec 3, 2022 - 8:00 PM
Terminal 5, New York, NY Ages: All Ages
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Terminal 5
610 West 56th Street
New York, NY 10019
Sat Dec 3, 2022 - 8:00 PM
Ages: All Ages
Doors Open: 7:00 PM
Door Price: $49.00
Onsale: Fri Aug 12, 2022 - 10:00 AM
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Bio: Dinosaur Jr.

DINOSAUR JR..
 
 
Sweep It Into Space
             Here is Sweep It Into Space, the fifth new studio album cut by Dinosaur Jr.. during the 13th year of their rebirth. Originally scheduled for issue in mid 2020, this record's temporal trajectory was thwarted by the coming of the Plague. But it would take more than a mere Plague to tamp down the exquisite fury of this trio when they are fully dialed-in. And Sweep It Into Space is a masterpiece of zoned dialing.
 
 
            In the decades since the release of Dinosaur Jr.'s original triptych of foundational albums, it has become clear that their sound -- once hailed as a sort of  almost-tamed noise -- is/was/always-has-been fully functioning pop music of a sort. The subsequent generations of bands who grew up breathing Dino's fumes managed to tinker around with the edges of their original post-hardcore song-forms enough for listeners to realize there had always been melodies at the center of everything they did. What Dinosaur Jr.. produces is nothing but a beautiful new version of the rock continuum -- riff, power, beat and longing, created with an eye on the infinite future.
 
 
            Recorded, as usual, at Amherst's Biquiteen, the sessions for Sweep It Into Space began in the late Autumn of 2019, following a West Coast/South East tour. The only extra musician used this time with Kurt Vile.
 
 
            J Mascis says, “Kurt played little lead things, like 12 string one at the beginning of 'I Ran Away.' Then I ended up just mimicking a few things he'd done. I was listening to a lot of Thin Lizzy, so I was trying to get some of that dueling twin lead sound. (laughs)”
 
 
            “But the recording session was pretty well finished by the time things really hit the fan. So I just ended up doing more things by myself. Like the mini digital mellotron on 'Take It Back.' Originally I'd thought I'd have Ken Mauri (who has done keyboard work for Dino in the past) come in and play piano. But when the Lock Down happened in March, that meant I was on my own. But it was cool.”
 
 
            Indeed, Sweep It Into Space is a very cool album. As is typical, Lou Barlow writes and sings two of the album's dozen tunes and Murph's pure-Flinstonian drumming drives the record like a go cart from Hell. Lou's songs here are as elegant as always. “Garden” is a mid-paced ballad with genteel guitar filigree giving it a '60 Brit feel in spots. And the album's closer, “You Wonder,” is a strangely excellent answer to the question -- “How would Blue Oyster Cult handle a country tune?”
 
 
            J's tracks flow and flower in the different directions he often follows. Some are guitar howlers, like “I Met the Stones,” with a string sound midway between Hendrix and Asheton. Some are power ballads, like “And Me,” its lyrics atomized in a manner invented by Mascis, then famously borrowed by Kurt Cobain. And there are anomalies, like “Take It Back,” which starts with a blue-beat rhythm putting one in mind of Keith Richards' Jamaican explorations (at least for a little bit.)
 
 
            But there are very few moments where you wouldn't know you were hearing Dinosaur Jr.. in blindfolded needle drop. They have a signature sound as sure as the Stooges or Sonic Youth or Discharge ever did. They continue to expand their personal universe with Sweep It Into Space, without ever losing their central core. 
 
 
            So if you ever do find yourself swept into space (hey, who knows?), I just hope these tunes are on your playlist. 
 
 
--Byron Coley
 
 
 
 
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Bio: Guided By Voices

In 1994, 38-year-old school teacher Robert Pollard & his merry band recorded Bee Thousand in a Dayton, Ohio, basement on a 4-track cassette recorder. This improbable rock classic became an enormously influential album: Spin and Pitchfork have called it one of the best records of the ’90s, and Amazon picked Bee Thousand as #1 on their list of the 100 Greatest Indie Rock Albums Of All Time. An amazing live band with a rabid following, the Washington Post called GBV “the Grateful Dead equivalent for people who like Miller Lite instead of acid!”

But Pollard has never been content to rest on his laurels. The band’s current line-up is nothing less than a new Golden Age of GBV. Flanked by former bandmates Doug Gillard and Kevin March, alongside youngbloods Mark Shue and Bobby Bare Jr., the band focuses their legendary talent and chemisty into razor-sharp blasts of rock. And they’ve been wowing audiences and selling out shows from coast to coast.

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