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iDKHOW and Joywave tickets at Riviera Theatre in Chicago
Thu Aug 25, 2022 - 7:00 PM

Jam Presents

iDKHOW and Joywave

The Welcome to Hellvetica Tour
Riviera Theatre, Chicago, IL Ages: All Ages
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Jam Presents

Jam Presents

iDKHOW and Joywave

The Welcome to Hellvetica Tour

Health & Safety Features

This event may include the following features from the venue: To learn more, visit the venue site.
Masks Encouraged

Masks Encouraged

Riviera Theatre
4746 North Racine Avenue
Chicago, IL 60640
773-275-6800
Thu Aug 25, 2022 - 7:00 PM
Ages: All Ages
Doors Open: 6:00 PM
Onsale: Fri Jun 3, 2022 - 10:00 AM
No backpacks, bags, laptops or tablets allowed in the venue. For a full list of prohibited items, please click here.
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Bio: iDKHOW

I DONT KNOW HOW BUT THEY FOUND ME, or iDKHOW is the new project led by frontman, multi-instrumentalist, and mastermind Dallon Weekes. The group has yet to release their debut album but already have a string of hit singles under their belt including “Choke”, which clocked over 42 million Spotify streams and “Do It All The Time”, which posted up 22 million Spotify streams as well as a debut EP, 1981 Extended Play that impressively bowed at #1 on the Billboard Top Heatseekers Albums Chart. They have earned acclaim from Ones To Watch, DIY Magazine, Alternative Press, and graced the cover of Rock Sound, the magazine proclaimed iDKHOW, “the hottest unsigned band in the world.”

Dallon Weekes made waves in Panic! At The Disco from 2009-2018, touring around the world and picking up Gold and Platinum plaques as a key songwriter on the chart-topping Too Weird to Live, Too Rare to Die! and more. In 2016, he introduced iDKHOW at a small show in Los Angeles before denying its existence for months to follow. The project formally revealed itself prior to hitting the road and performing on the mainstage at UK’s Reading and Leeds Festivals as well as sharing stages with the likes of Twenty One Pilots, The 1975, Billie Eilish, The Killers, The National and Blink 182, just to name a few.

With a curated storyline - iDKHOW was initially believed to have been a band from 30 plus years ago that never got their big break. A band that time forgot. But in 2017, an anonymous donor began to release recovered video footage of iDKHOW. The videos, released out of chronological order, span the years 1964 to 1983 and hint to a different story than that of a band lost to obscurity. As this footage of iDKHOW has surfaced in the past three years, fans, music historians and conspiracy theorists have converged on internet platforms to debate the story of iDKHOW.
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Bio: Joywave

Joywave has spent much of the past decade holding an aural mirror to society, concocting a distinctively modern approach towards pop music that is both organic and synthetic, much like our own day-to-day lives. The Rochester, NY-based band is now wrapping up work on their hugely anticipated third album, POSSESSION, due via Cultco Music/Hollywood Records in early 2020. Produced at Joywave’s own studio in Rochester by founder Daniel Armbruster, arranged by Armbruster and his fellow band members Joseph Morinelli, Paul Brenner, and Benjamin Bailey, and then mixed by Dan Grech-Marguerat (The Killers, Liam Gallagher, Lana Del Rey), advance tracks from the LP offer a clear display of the band’s evolution from the basement to the big stage, to their current role of full-fledged pop provocateurs, fearlessly assimilating genres, motifs, and big ideas into its own one-of-a-kind identity. Songs such as the unprecedented first single, “Like A Kennedy” or the haunting “Blank Slate” provide both commentary and catharsis by bridging the political with the personal, as Armbruster’s finely etched social commentaries ultimately give way to frank introspection.
 
“The album really focuses on control,” says Armbruster. “It examines it on a broader societal level but also on a very personal level, like, how do I gain control over my own life and experiences? We turn on the news now and it’s like, what is happening? How am I supposed to go to the grocery store or think about paying my bills or whatever mundane thing I need to do?”
 
Joywave first came together in 2010 to put live flesh on the bones of songwriter-multi-instrumentalist Armbruster’s original home recordings. A series of visionary mixtapes and EPs followed, as did Big Data’s RIAA gold certified 2013 single, “Dangerous (Feat. Joywave),” a #1 hit at Alternative radio as well as a top 10 multi-format smash. 2014’s HOW DO YOU FEEL? EP was fast followed by the band’s full-length debut album, HOW DO YOU FEEL NOW? The album spawned a string of multi-format hits and 2016’s innovative remix collection, SWISH. The following year saw CONTENT make a top 10 debut on Billboard’s “Heatseekers” chart upon its arrival, powered by the Alternative radio favorites, “It’s A Trip” and “Doubt.”
 
Joywave has proved just as prolific and popular on the road, performing countless headline dates, show-stealing sets at international festivals spanning Lollapalooza, Coachella, Bumbershoot, and the UK’s Reading/Leeds, and support runs with such artists as The Killers, Young the Giant, Foals, Walk the Moon, Bleachers, Metric, Thirty Seconds To Mars, Silversun Pickups and more. Indeed, the increased focus on live activity in turn fueled the POSSESSION sessions, the band’s increasingly complex interplay taking a bigger spotlight in the studio than ever before.
 
“I think this album reflects our live show a lot more than the first two records did,” Armbruster says. “I still wrote all the songs but the process has become a lot more inclusive. The first record was really something that I wrote in my parents’ basement. The second record was also pretty closed, but now, with this new one, I got all the songs to a point and then really opened things up to the rest of the band. It’s kind of a big step for me actually, to say, Okay, I don’t have to micro-micromanage everything. Now I only have to micromanage. I’ve gone from nano-managing to micromanaging.”
 
Though not quite finished, it is already abundantly clear POSSESSION will prove a milestone for Joywave, evinced by such extraordinary new tracks as the aforementioned “Like A Kennedy,” the band’s first-ever ballad and perhaps most startlingly original moment thus far. Wedding a strikingly transgressive lyric to a simple melody and tender vocals, the song looks back into history to confront our current polarization, desensitization, and information overload, culminating with a symphonic guitar solo seemingly pulled out of some lost FM broadcast from 1976.
 
“It’s a media burnout song,” Armbruster says. “It’s anti-chaos. It’s encouraging people to zoom out. Unfortunately I think that everyone will fit it to a political narrative because that’s where society is at right now. It’s not really taking a stand – it’s more like, just stop all the crazy shit. We’re constantly told, this is what’s happening, what do you think about it? But I don’t know. I just want to be fat, old, and happy.”
 
“Basically the violence just happens over and over and over again,” Armbruster says about the video for “Like A Kennedy.” “There are four or five assassinations throughout the video and each time that I’m shot nobody reacts. It’s like putting the Zapruder film into 2019, where nobody is surprised by the violence and no action is taken each time that it occurs. The violence is allowed to just continue and continue and continue. Obviously that is very relevant to where we’re at now. Every time there’s another mass shooting, all these people die, and you know, thoughts and prayers. And nothing changes. It’s amazing to me that we had a president be the victim of gun violence and still the legislative bodies refused to make any type of meaningful change.”
 
“Obsession” looks to be another highlight of POSSESSION, its irresistible dance-pop expertly  “encapsulating the history of Joywave into one track,” says Armbruster. “I think that this new record is – hopefully – going to elevate the band and introduce us to a new audience so I thought it was important to catch people up in one song as to what the band has done up till now. It’s like the Cliff’s Notes version of where the band has been. I think it sums us up very well.”
 
Even at this early stage, it is impossible to view POSSESSION as anything other than a giant leap forward for Joywave, a boldly ambitious work that pushes an already visionary band across ever level, from songcraft and band interaction to freedom of influence, and most of all, perspective.
 
“One of the ideas on the record is being able to zoom out and have people back out of corners and back out of talking points,” says Daniel Armbruster. “I’m making a three dimensional line where people are able to zoom out enough to see what’s happening and be able to use rational thought. I’m not trying to go left or right – I’m trying to move forward. I’m trying to go up.”

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