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In This Moment, Ice Nine Kills, Motionless In White, Black Veil Brides tickets at Red Rocks Amphitheatre in Morrison
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Tue Aug 30, 2022 - 5:30 PM

107.9 KBPI's Birthday Bash

In This Moment, Ice Nine Kills, Motionless In White, Black Veil Brides

with Cherry Bombs
Red Rocks Amphitheatre, Morrison, CO Ages: All Ages
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107.9 KBPI's Birthday Bash

107.9 KBPI's Birthday Bash

In This Moment, Ice Nine Kills, Motionless In White, Black Veil Brides

with Cherry Bombs
Red Rocks Amphitheatre
18300 West Alameda Parkway
Morrison, CO 80465
Tue Aug 30, 2022 - 5:30 PM
Ages: All Ages
Doors Open: 5:00 PM
Onsale: Fri Jun 3, 2022 - 10:00 AM

AEG Presents is thrilled to announce IN THIS MOMENT, ICE NINE KILLS, MOTIONLESS IN WHITE, BLACK VEIL BRIDES live at Red Rocks Amphitheatre on Tuesday, August 30th, 2022. 

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Bio: In This Moment

BIO
 
 
All cultures, religions, and belief systems share one commonality. Life springs forth from a mother. She bears, nurtures, cultivates, raises, and prepares children for the world. Without her, existence ceases. Much like the earth, life grows, thrives, and survives inside of and because of her…
 
 
Since coming to life in 2005, gold-selling hard rock provocateurs In This Moment have presided over a diehard fan base under the watch of a similar “mother” figure frontwoman Maria Brink—joined by co-founder and lead guitarist Chris Howorth, bassist Travis Johnson, guitarist Randy Weitzel, and Kent Dimmel. As millions convened upon the group’s otherworldly and unforgettable concerts, they quietly emerged as one of the most influential and impactful bands of the 21st century. To date, the quintet have garnered two gold singles—“Blood” and “Whore”—and one gold album, Blood [2012]. The latter notably launched a trifecta of Top 25 entries on the Billboard Top 200 with Black Widow [2014] and Ritual [2017]. Bringing their total stream tally well past 200 million as of 2020, Ritual elevated them to new creative and critical peaks as well. In a 4-out-of-5 star review, KERRANG! called it “their best vehicle to date” as Alternative Press claimed, “Maria Brink is the Lady Gaga of the metal world” and went on to add, “Ritual flourishes as the metal love child of art-pop, gospel, Morrissey and Johnny Cash that the world didn’t know it needed until now.” Between selling out headline tours coast-to-coast, the group performed in arenas everywhere alongside Disturbed and appeared at countless festivals from Rockville to Sonic Temple.
 
 
Along the way, they assembled their seventh full-length, the aptly titled Mother [Atlantic/Roadrunner]. Once again, In This Moment joined forces with longtime trusted collaborator Kevin Churko [Ozzy Osbourne, Five Finger Death Punch] in the studio. They pieced together a 14-track opus steeped in the lore they’ve created, yet indicative of another spiritual, philosophical, and stylistic evolution. Whereas Ritual hinted at a bluesy sonic sorcery, Mother breathes the activating mantra of an unbreakable spell. “We are so excited to unveil Mother to the world,” says Brink. “We feel like everything we’ve done has led us to this point and we can’t wait for everyone to experience the next chapter.”
 
 
Fittingly, first single “The In-Between” nods to In This Moment staples by name: “Blood,” “Whore,” and “Beautiful Tragedy,” to name a few. At the same time, it slips from Maria’s intimate verses into a distortion-backed promise, “I’m gonna bring a little Hell. I’m gonna bring a little Heaven. Elsewhere, cinematic organ gives way to haunting whispers on “As Above So Below.” She turns down a Faustian pact over a dramatic eighties beat and hummable riff before a sweeping and soaring vocal crescendo, “What you give comes back threefold, as above, so below.” The seductive groove of “Lay Me Down” spirals towards a hypnotic hook as guitars toss and turn.
 
 
In many ways, In This Moment’s conjuration of Queen’s “We Will Rock You” crystallizes their power like never before. Accompanied by a choir of femme fatales including Lzzy Hale of Halestorm and Taylor Momsen of Pretty Reckless, it might just be the fiercest Mother moment of all lifted to the heavens by a stadium-busting beat and Howorth’s six-string precision. Welcoming another friend into the fold, Joe Cotella of Ded cameos on “Hunting Ground.” Everything culminates on the last word of “Into Dust” with one last catharsis.
 
 
In the end, Mother gives new life to In This Moment and, ultimately, hard rock.
 
 
BOILER
 
 
Since coming to life in 2005, gold-selling hard rock provocateurs In This Moment have presided over a diehard fan base under the watch of “mother” figure and frontwoman Maria Brink—joined by co-founder and lead guitarist Chris Howorth, bassist Travis Johnson, guitarist Randy Weitzel, and Kent Dimmel. As millions convened upon the group’s otherworldly and unforgettable concerts, they quietly emerged as one of the most influential and impactful bands of the 21st century. To date, the quintet have garnered two gold singles—“Blood” and “Whore”—and one gold album, Blood [2012]. The latter notably launched a trifecta of Top 25 entries on the Billboard Top 200 with Black Widow [2014] and Ritual [2017]. Bringing their total stream tally well past 200 million as of 2020, Ritual elevated them to new creative and critical peaks as well. In a 4-out-of-5 star review, KERRANG! called it “their best vehicle to date” as Alternative Press claimed, “Maria Brink is the Lady Gaga of the metal world” and went on to add, “Ritual flourishes as the metal love child of art-pop, gospel, Morrissey and Johnny Cash that the world didn’t know it needed until now.” Between selling out headline tours coast-to-coast, the group performed in arenas everywhere alongside Disturbed and appeared at countless festivals from Rockville to Sonic Temple.
 
 
Along the way, they assembled their seventh full-length, the aptly titled Mother [Roadrunner Records] with longtime trusted collaborator Kevin Churko [Ozzy Osbourne, Five Finger Death Punch]. Whereas Ritual hinted at a bluesy sonic sorcery, Mother breathes the activating mantra of an unbreakable spell, commenced on first single “The In-Between.”
 
 
 
 
{

Bio: Ice Nine Kills

MOCK VHS SYNOPSIS 
Helpless teens, unhelpful authorities, supernatural forces, masked killers, and “final girls” abound in the shocking, blood soaked, thrilling slasher epic, ICE NINE KILLS THE SILVER SCREAM; FINAL CUT. It’s a devilish director’s cut style delicacy packed with the original Billboard Hard Rock Albums chart-topping slab’s 13 songs of punishingly heavy and uproariously anthemic odes to 13 horror classics, plus: bone-chilling acoustic dirge renditions of goth avenging “A Grave Mistake” (live at SiriusXM), pumpkin carving “Stabbing in the Dark” (featuring Trivium frontman Matthew K. Heafy), chainsaw wielding “Savages”, and machete slashing “Thank God It’s Friday”(costarring the First Jason himself, horror icon Ari Lehman). 
 
“The Silver Scream is the REAL ‘American Nightmare’!” 
– Ricky Dean Logan / Freddy’s Dead: The Final Nightmare (1991) 
 
“Fiercely insane!” 
– Felissa Rose / Sleepaway Camp (1983) 
 
“Decadent and devious!” 
– Ryan J. Downey / MovieWeb 
 
 
SHORT FORM: 
In a landscape littered with celebrity fakes and would-be influencers, ICE NINE KILLS stand apart. Visionary trailblazers and multimedia raconteurs, INK has steadily built a thrilling new underworld for a growing legion of devoted true believers, with theatrical shows, high-concept videos, and inventive band-to-fan communion. 
 
Ice Nine Kills summon the most captivating elements of metal, punk and hard rock and combine it with melody, cinematic obsession, and a literary fascination. 
 
Loudwire hails them as “one of the most unique acts in metal right now,” a declaration supported by the band’s Billboard Hard Rock Albums chart topping slab, The Silver Scream. 13 songs of devilishly devious odes to classic horror, The Silver Scream generated anthems for the disenfranchised and subculture obsessives, like “The American Nightmare,” and broke them into Active Rock radio. 
 
After a decade of studio wizardry and live theatricality, ICE NINE KILLS draws favorable comparisons to rock icons like Slipknot, Rob Zombie, and Marilyn Manson, via a likeminded synergy of music, lifestyle, and cult following reverence. 
 
ICE NINE KILLS is at the forefront of the natural crosspollination of subcultures. “Heavy music and horror are both escapes from our mundane struggles,” singer Spencer Charnas points out. “You could be having the worst day, then you put on a great metal record or horror movie and forget about all of your problems.”
{

Bio: Motionless In White

In 2006, Motionless In White materialized out of Scranton, PA with an inimitable conjuration of sharp metallic rock, nocturnal industrial, magnetic melodies, and larger-than-life visual imagery. The quintet—Chris Motionless [Vocals], Ricky Olson [Guitar], Ryan Sitkowski [guitar], Vinny Mauro [drums], and Justin Morrow [bass]—quietly clawed their way to the forefront of hard rock, gathering nearly half-a-billion cumulative streams and views to date. Following the success of Creatures [2010] and Infamous [2012], Reincarnate [2014] sunk its teeth into the Top 10 of the Billboard Top 200, bowing at #9 and capturing #1 on the Top Rock Albums Chart. Both Graveyard Shift [2017] and Disguise [2019] cracked the Top 5 of the Top Hard Rock Albums Chart and Top Rock Albums Chart. The latter yielded the band’s biggest hit to date, “Another Life,” which gathered 48 million Spotify streams followed by “Brand New Numb” at 27 million and “Disguise” at 20 million. Along the way, they sold out headline tours and supported everyone from Slipknot and Korn to Breaking Benjamin. Not to mention, Motionless In White have collaborated with Jonathan Davis of Korn, Maria Brink of In This Moment, Dani Filth of Cradle of Filth, Tim Sköld of KMFDM, Caleb Shomo of Beartooth, and more. The five-piece kept busy throughout 2020, releasing the Another Life / Eternally Yours: Motion Picture Collection EP and Deadstreaming a performance of Creatures for its decade-anniversary. They band also dropped a cover of The Killers’ “Somebody Told Me,” and the standalone single “Creatures X: To The Grave.” Once again, Motionless In White return to the studio and the road in 2021 as they perfect the poetically pummeling sound they patented.

{

Bio: Black Veil Brides

Committed to uncompromising expression, with a foundation in hard rock tradition and rule-breaking iconoclasm, Black Veil Brides is a transcendent celebration of life-affirming power and anthemic catharsis. A gothic vision first summoned in a small town by an isolated kid fascinated with death, rock, theatricality, and monsters (both real and imagined), Black Veil Brides is now a postmodern heavy metal institution with a legion of like-minded fans and supporters worldwide.
 
 
 
 
 
A new chapter in the band’s ever-evolving story arrives with The Phantom Tomorrow, an ambitious sixth album pushing the music of Black Veil Brides forward without sacrificing their beloved signature sound. Built around a thematically rich story, written by singer Andy Biersack, The Phantom Tomorrow combines imaginative worldbuilding with unrelentingly catchy and melodic bombast.
 
 
 
 
 
The twin-guitar attack of Jake Pitts and Jinxx cut through with sharp precision, overtop the steady pulse of powerhouse drummer Christian Coma and the fluid, rhythmic dynamics of Lonny Eagleton. Biersack’s rich baritone croon and soaring passion are anchored in the biggest hooks of the band’s career. Recorded in Los Angeles, with producer Erik Ron (Godsmack, Bush, Dance Gavin Dance), The Phantom Tomorrow excels as a series of standalone songs and a cohesive conceptual album.
 
 
 
 
 
The band’s strident opposition to conformity and obstacles (from both within and without) strikes a chord with every outcast who felt drawn to the allure of the dark. It’s evident in the 160 million-plus views of “Knives and Pens,” an early demo committed to video before singer Andy had found his band of brothers. The RIAA-certified gold single “In the End,” which itself boasts over 150 million views, is proof that the group whose merchandise dominated Hot Topic stores before they’d even dropped their debut album was no mere passing fad or ill-fated “scene.” This was built to last.
 
 
 

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