Something downright mystical is happening on Colorado’s Front Range. The very roots of traditional acoustic music seem to sprout from the dirt, shaking their dust into the winds of change, to be breathed in and become the soul of musicians who craft their songs here.
Such is the music of Wood Belly, a musical collective of Chris Weist (mandolin), Tom Knowlton (guitar), Chris Zink (dobro), Aaron McCloskey (banjo) and Taylor Shuck (bass). A Wood Belly song has its own lyrical persona and masterful arrangement; rooted in bluegrass tradition and planted solidly in contemporary innovation.
The band has been garnering attention since the release of their 2018 debut album Solid Ground, which was followed by a win at the prestigious Telluride Bluegrass Band Competition (earning them a main stage performance slot at the 2019 festival), as well as a 2018 IBMA Momentum Band of the Year nomination.
Wood Belly released it's second album, Man on the Radio in January of 2020 capping an impressive stretch of writing and releases. The new 13-track collection was recorded at Swingfingers Studio in Fort Collins, CO with Grammy winning producer Sally Van Meter and engineer Aaron Youngberg, and features special guest fiddler Jeremy Garrett of The Infamous Stringdusters on several tracks.
The band first started playing together in 2015 and the music fell into place immediately. The instrumentation and rhythmic drive of the band is like a tree trunk centered in bluegrass with branches that uninhibitedly reach out in many directions. There is a powerful focus on songwriting, with influences from multiple genres. Wood Belly, like other bands in the Newgrass or Grassicana realm, is rooted in tradition but refuses to be confined. Their sound is authentic, passionate and always entertaining. Every member of the band writes and they take a collaborative approach to sculpting a song once the basic structure is in place, refining and editing until a seamless arrangement reveals itself.
Whether it’s a hard driving bluegrass song, a multi-layered instrumental, a pop-oriented hook-laden tune, or a poetic waltz— each song has something to say. There’s an identity, a message in every song, delivered in a characteristic Wood Belly style that is warm and true, occasionally haunting and the next moment light and uplifting. The timbre of voice and strings is solid, confident, honest and playful. Every member sings and vocals are a significant part of the Wood Belly sound.
Since its formation, the band has played an ever-expanding list of great venues including the Mishawaka amphitheater, the Boulder Theater, Wildflower Pavilion (Planet Bluegrass), The Fox Theater (Boulder), The Oriental Theater (Denver) and Cervantes’ (Denver). Their festival resume includes the Telluride Bluegrass Festival, Winter WonderGrass, Northwest String Summit, Palisade Bluegrass and Roots, the Durango Bluegrass Meltdown, The Ogden Music Festival, Rhythms on the Rio, Campout for the Cause, the Keystone Bluegrass and Beer Festival, Rapidgrass, and more.
Wood Belly has shared bills with The Infamous Stringdusters, Del McCoury Band, The Steeldrivers, Billy Strings, Molly Tuttle, The Lil' Smokies, Front Country, Wood & Wire, Trout Steak Revival, Steel Wheels, and many more.
PIXIE & THE PARTYGRASS BOYS
HAILED AS "THE HOTTEST BAND IN THE WASATCH" BY THE INTERMOUNTAIN ACOUSTIC MUSIC ASSOCIATION, PIXIE AND THE PARTYGRASS BOYS CREATE A UNIQUELY AMERICAN SOUND THAT CAN TURN THE ROOM INTO A RUCKUS, BUT OFFERS A FULL VARIETY OF OTHER DYNAMICS AS WELL - APPROACHING BLUEGRASS/FOLK WITH A CLASSICAL AND JAZZ BACKGROUND WHILE INCORPORATING ELEMENTS OF BROADWAY, POP-PUNK, AND AN UNABASHED LOVE FOR HAVING A DAMN GOOD TIME.
THE BAND HAS BEEN TOURING WHILE STEADILY GAINING A FANBASE NATIONWIDE AND PLAYING FESTIVALS INCLUDING: HIGH SIERRA, DELFEST, PEACHFEST, WINTERWONDERGRASS, ARISE, AND HANGTOWN, IN ADDITION TO SHARING THE STAGE WITH ARTISTS SUCH AS: LAKE STREET DIVE, BILLY STRINGS, GRACE POTTER, YONDER MOUNTAIN STRING BAND, THE INFAMOUS STRINGDUSTERS, AND THE TRAVELIN’ MCCOURYS.