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DISPATCH and O.A.R. tickets at Stage AE in Pittsburgh
Mon Aug 15, 2022 - 6:00 PM

DISPATCH and O.A.R.

Summer Tour 2022 G. Love
Stage AE, Pittsburgh, PA Ages: All Ages
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DISPATCH and O.A.R.

Summer Tour 2022 G. Love

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Stage AE
400 North Shore Drive
Pittsburgh, PA 15212
(412) 229-5483
Mon Aug 15, 2022 - 6:00 PM
Ages: All Ages
Doors Open: 6:00 PM
Door Price: $53.00 - $99.00
Onsale: Fri Dec 10, 2021 - 12:00 PM
$1.00 per ticket sold will go towards both Artist Charities.

Bio: DISPATCH

Marriage, birth, death, departure; for DISPATCH, the only constant these past few years has been change. Add to that an exceedingly tense political climate, long-overdue reckonings on racial justice and gender equality, and a runaway global pandemic, and you’ve got an idea of what’s been fueling Chadwick Stokes’ and Brad Corrigan’s writing lately.
 
“It’s a scary time,” says Corrigan, “but it’s also a super inspiring time. I think people are realizing now more than ever how important it is to be fully present and engaged with what’s happening, how much we all belong to and rely on each other.”
 
It’s that spirit of collective awakening, of embracing change in all its pain and beauty that defines ‘Break Our Fall,’ DISPATCH’s extraordinary new album. Marking the band’s eighth studio release, the songs on this record speak not only to the band’s personal evolution, but to human nature itself, charting a course from denial and resistance to growth and acceptance through deep introspection and empathetic character studies. Heady as that all may sound, the music is pure DISPATCH, blending infectious roots rock with hints of reggae, folk, and blues, and the production is similarly lean and energetic, leaving plenty of space for some of the group’s most pointed, political lyrics to date. The result is a timely and essential album from a band still breaking new ground two-and-a-half decades into its storied career, an ode to resilience and survival that manages to find hope and joy on even the darkest of days.
 
“Everyone in this country has been facing some kind of turmoil these last four years,” says Stokes. “As fathers of young kids who worry about what kind of world we’re leaving behind, as people who’ve lost family and friends to suicide and addiction, as bandmates navigating this transition from trio to duo, I think that feeling of everything being in flux was particularly acute for Brad and me. Writing’s always been the way we’ve made sense of the world, though, so that’s what we did.”
 
Making sense of our often-incomprehensible world has been at the core of DISPATCH’s mission since the very start, when Stokes and Corrigan were still just students at Middlebury College in Vermont. Over the course of a slew of acclaimed studio and live albums and countless tours and festivals, the band would go onto become one of biggest success stories in independent music history, selling out three nights at Madison Square Garden and drawing over 100,000 fans to a massive outdoor show in their adopted hometown of Boston without any traditional radio or major label support. Rolling Stone called the group “roots-rock heroes,” while Billboard praised their “seamless harmonies, ragged edges and breezy attitude,” and SPIN hailed the band’s “remarkable renaissance.” Throughout their rise, Stokes and Corrigan took every opportunity to use their success for good, launching charitable organizations to fight poverty and mass incarceration, raising funds and awareness for environmental causes on the road, and even traveling as far afield as Nicaragua and Zimbabwe to work with children and communities in need.
 
“A lot of this new album is focused on what’s happening in America right now,” says Corrigan, “but it’s also really influenced by the experiences we’ve had outside of the country. Getting to know people who live in these desperately poor circumstances but still manage to smile and laugh and love and treat each other generously, that’s a life-changing thing. It teaches you what’s really important—community, family, cooperation, respect, kindness—and it makes you want to stand up for those things even more at home.”
 
While the band traditionally steered clear of anything too sharply political for much of its history, recent years have seen a shift towards more topical songwriting, and ‘Break Our Fall’ finds Stokes and Corrigan more explicit and outspoken than ever.
 
“Writing about the political climate and the issues that we care about has been really liberating for us,” says Stokes. “From the start, our core motivation for being in a band was to speak up about the things that really mattered to us, and I think that our experiences these last few years have really crystallized that.”
 
Though the heightened political stakes of the present moment had a major impact on the group’s direction, they were far from the only dramatic changes that helped shape ‘Break Our Fall.’ In the span of less than a year, Corrigan got engaged, married, and became a father for the very first time. Stokes, meanwhile, welcomed his third child into the world, only to tragically lose a close family member to suicide just a few years later.
“We were both processing all of this personal joy and despair and growth and loss along with everything else going on in the country at the same time,” says Stokes. “Hundreds of thousands dead from COVID, the killings of George Floyd, Ahmaud Arbery, and Breonna Taylor, the climate crisis, #MeToo; there was just a collective pain unlike anything we’ve ever experienced.”
 
Stokes and Corrigan tapped directly into that pain in the studio, working with frequent collaborators Mike Sawitzke (Eels) and John Dragonetti (The Submarines) to craft a wide-ranging collection all about coping and catharsis. The album works its way through a litany of modern fears and frustration on the driving “May We All” and laments the direction of the country in no uncertain terms on the simmering “All This Time” (listen closely for soulful vocal contributions from The White Buffalo). Reality sets in with the heartache of missed opportunities and lost loved ones coming into sharp focus on songs like the bittersweet “As Old As I” and epic “Connie Hawkins,” which tips its cap to everything from Tom Petty and Bruce Springsteen to The Cars and Violent Femmes. By the time fans push play on the soaring title track, a change is in the air, and grief and helplessness begin to give way to hope and determination.
 
“I wrote the title track about someone very close to me who was always there to break everyone else’s falls,” says Stokes. “His passing left me wondering what would happen without him, and the answer, I realized, is that we’d all have to step up and be there for each other. And I think that’s the case with the entire country right now. We’ve all got to look out for each other so we can bounce back from the ugliness of this moment and not just shatter into a thousand little pieces.”
 
The pendulum swings back towards optimism with the stream of consciousness “Elevator Operator” and waltzing “Born On Earth” making peace with what lies beyond our control and the dreamy “Stoned Enough” finds transcendence in human connection and ecstatic closer “Pour Into You” recognizes that, despite all our brokenness, love remains, and always will.
“We wanted to walk people through the feelings of sadness and anger and loss we’ve all been experiencing lately and take them to the other side,” says Corrigan. “We wanted to deliver them to a place where they’re wiser and more compassionate, a place where they’re kinder and more unified, a place where they’re ready to truly protect and care for each other.”
 
It’d be a lofty goal at any time, let alone coming off of the brutal year we’ve all just bruised our way through, but that’s no concern for Stokes and Corrigan. At the end of the day, DISPATCH doesn’t just believe in the impossible, they’ve made a career of achieving it.

Bio: O.A.R.

What do you call a band whose twenty year-career spans sold-out stands at both Madison Square Garden and Red Rocks Amphitheater, millions of albums sold over the course of what will be nine full-length releases, and multiple chart-busting entries? In the case of O.A.R., two simple words suffice: “The Mighty. 
 
 
That’s the best way to sum up the Maryland quintet—Marc Roberge [lead vocals, rhythm guitar], Richard On [lead guitar, backing vocals], Chris Culos [drums], Benj Gershman [bass], and Jerry DePizzo [saxophone, guitar, backing vocals, additionally MikelParis [keys, backing vocals, percussion] and Jon Lampley [trumpet, backing vocals].
 
 
Since their emergence in 1996, the musicians have tirelessly delivered a signature brand of rock steeped in alternative scope, roots tradition, and pop ambition. Among many highlights, 2008’s All Sides yielded the platinum single “Shattered” and bowed in the Top 15 of the Billboard Top 200 a space they continually occupied with King [2011] and The Rockville LP [2014]. 
 
 
Beyond packing arenas and amphitheaters coast to coast, they’ve given inspiring performances on The Today ShowCONAN, the 2015 Special Olympics Opening Ceremony, the ESPYS, in addition to playing their hit song “Peace” at the coveted Times Square New Year’s Eve Celebration on the eve of 2016.
 
 
“Richie Sambora announced us at Red Rocks as ‘The Mighty O.A.R.’ a few years back,” recalls DePizzo. “Those two words just stuck with us, and Marc suggested we use it as the album title. We have a great sense of pride in the career we’ve had up to this point. The term wraps up who the band is in 2019. It feels good to us.”
 
 
“Our hope is everyone leaves our show feeling better than when they got there,” says Culos. “We make that happen by playing together as a unit, playing with a pulse. Through that pulse, we tell our story. It’s about friends and family - our brotherhood.  The Mighty refers to our foundation."
 
 
O.A.R. most definitely do that on their latest offering. They also tread uncharted territory. Rather than follow the same playbook and record during a set timeframe, they intermittently recorded throughout 2018, working on or writing a song only when inspired.  Crafting all the songs simultaneously until the very last hours of the production deadline.  In the studio, longtime producer Gregg Wattenberg would be joined by PomPom, who added a fresh take on the sound with an electronic sensibility and expanded soundscape.
 
 
“We used to rent a place for a month, go in, write music, take off for a break, and then record for another month,” says Roberge. “Thanks to Wattenberg, we now had access to a brand new studio and his guidance without the pressures of the clock. We could come and go when inspired, and fell into this comfortable experience. For the first time the schedule went out the window.”
 
 
“PomPom grew up around O.A.R. music,” DePizzo says. “To be able to bring someone into the fold who came up with your tunes and influence added a whole different perspective.”
 
 
Case in point is the first single, “Miss You All The Time.” Produced by Gregg Wattenberg and Derek Fuhrmann.  Its lush keys and moving guitar riff uphold an orchestral admission, “I miss you all the time. The emotionally charged send-off immediately resonated with fans as the official music video directed by Rudy Mancuso swiftly clocked over 5 million views on YouTube, and counting.  
 
 
“Like anyone, we’ve seen tragic losses over the years,” says Roberge. “You have people in your life who are so important and influential, and then one day they’re gone. It happens quickly, and you’re left to pick up the pieces. We wanted to celebrate their greatness instead of mourn. ‘Miss You All The Time’ is a moment to honor those who aren’t with us anymore.”
 
 
Whether it’s the space and harmony of “Free”, the uplifting anthem “California”, or the addictive groove on “Knocking at Your Door,” O.A.R. ignite a bold, brilliant, and inspired next chapter.
 
 
“It’s a renewal of experiences,” says Roberge. “We’ve built the foundation, we’ve got the confidence to be who we are.”
 
 
And, who are they in 2019? 
 
 
Well, they’re The Mighty O.A.R.
 
 
“We’re fortunate as hell to have done this for over two decades,” Culos leaves off. “We’ve done it together. We have each other’s backs, and we’re a family.  There’s a feeling of freedom in that.”

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