Health & Safety Features
Per the New York City "Key to NYC" vaccine mandate, effective August 17, 2021, this event will require patrons (12 years of age and older) to show proof they have received at least one dose of a vaccine authorized by the US FDA or by the WHO...More Info
Per the New York City "Key to NYC" vaccine mandate, effective August 17, 2021, this event will require patrons (12 years of age and older) to show proof they have received at least one dose of a vaccine authorized by the US FDA or by the WHO prior to entry into the venue.
Acceptable documentation is as follows:
· A photo or hard copy of their CDC vaccination card
· NYC COVID Safe App
· New York State Excelsior App
· Official vaccine record
· A photo or hard copy of an official vaccination record of a vaccine administered outside the United States for one of the following vaccines1: AstraZeneca/SK Bioscience, Serum Institute of India/COVISHIELD and Vaxzevria, Sinopharm, or Sinovac.Show less
Everybody’s A Good Dog is the first true realization of Shaun Fleming’s Little Shop of Horrors -meets-Aladdin Sane vision, recorded in a proper studio with an assortment of guest artists, horn section, and string ensemble (all firsts for Fleming). The resulting 11 tracks are a sky-scraping sound kaleidoscope, touched with euphoric instrumentation and dark lyricism.
Just as Diane Coffee’s debut LP, 2013’s ‘My Friend Fish,’ was inspired by Fleming’s move from sunny California to New York City, Everybody’s A Good Dog took shape after this former Disney child actor and current drummer for Foxygen uprooted again from NYC to the much smaller town of Bloomington, IN – “spontaneous moves have always helped to inspire my writing” he explains. This downsizing provided Fleming with a blank slate to create – “I missed the quiet. I missed having a fire. I missed the color green.”
The songs on Everybody’s A Good Dog capture this sense of clarity, channeling the New York Dolls or T-Rex at their strutting-est and Meatloaf at his most theatrical, with shades of Motown-worthy soul. The gentle psychedellia on opener “Spring Breathes” gives way to a pounding prog breakdown, “Mayflower” leads with a monster funk-fueled horn riff, while on “Tams Up” Fleming fronts his own one-man doo-wop group.
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