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Trevor Hall & Citizen Cope 4/29 tickets at Red Rocks Amphitheatre in Morrison
Fri Apr 29, 2022 - 7:00 PM New Date
Red Rocks Amphitheatre, Morrison, CO Ages: All Ages
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Red Rocks Amphitheatre
18300 West Alameda Parkway
Morrison, CO 80465
Fri Apr 29, 2022 - 7:00 PM
Ages: All Ages
Doors Open: 6:00 PM
Door Price: $55.00 - $89.95
Onsale: Fri Nov 22, 2019 - 10:00 AM

TREVOR HALL AND CITIZEN COPE at Red Rocks Amphitheatre on May 1, 2020 has been rescheduled to Friday April 29th, 2022.

There is nothing you need to do as your tickets will be valid for the new date in 2022.

 

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Bio: Trevor Hall

Trevor Hall realized at a very young age that music was more than just a passion. As an eleven year old, playing harmonica beside his father in the cradle of the weeping willows of South Carolina, music quickly became his most intimate companion, guide and creative outlet. In his elementary years, he began to write his own songs and perform them locally. 

At sixteen he recorded his first record, and the following year he left South Carolina to study classical guitar at Idyllwild Arts Academy, an international boarding school east of Los Angeles. There, Trevor was introduced to yoga and certain spiritual practices found in India, which greatly influenced his music and his life journey. During his senior year, Trevor signed a record deal with Geffen Records and his career as a musician formally began. 

Trevor quickly broke through the music scene, with such early accomplishments in his career as having a song recorded on the Shrek the Third soundtrack, as well as joining a series of sold-out tours with artists such as Steel Pulse, The Wailers, Jimmy Cliff, Matisyahu, Michael Franti and Colbie Callait. Trevor’s quick rise on the scene, however, was ripe with challenges that conflicted with his spiritual life and devotional practice. In order to parallel his life’s path with the messages in his music, Trevor moved into a traditional Hindu ashram in Southern California in 2008. When not on tour, he lived as a monk and devoted his days to spiritual practice and service. His involvement with the temple affected his music and his music quickly became his practice. 

Trevor Hall’s music – an eclectic mix of acoustic rock, reggae and Sanskrit chanting – echo with the names and teachings of divinities, while maintaining an incredibly and refreshingly universal message. While on the road, Trevor sees the stage as his moving temple, a place where he can share in the experience of his spiritual journey with his audience. Trevor’s annual trips to India also continue to serve as a source of creativity and motivation for his music. The precious lessons and experiences that he has harvested from his journeys East have moved Trevor to return a service to those whom have colored his music and his life so beautifully. Trevor uses donations collected at his live shows to help support an ashram in Allahabad, India, the home of his Guru, where underprivileged and orphaned boys and girls are given the chance at a better life and a traditional Vedic education. 

Trevor’s self-titled debut album debuted on Billboard’s Heatseeker chart at #7 in 2009. It featured the single “Unity,” written and performed with his longtime friend, Matisyahu. Trevor was named one of the Top 20 New Artists by Music Connection magazine and in 2010 MTV named him one of the twenty emerging artists. 

His follow up album, Everything, Everytime, Everywhere, was released in 2011 and debuted on the iTunes Rock Chart at #3, iTunes Top Albums at #12 and #8 on Amazon Movers & Shakers. The featured single, “Brand New Day” was used as the music bed for the CBS This Morning Show. 

In 2013 at the age of 26, after touring consistently for ten years, Trevor decided to take a break from the stage and go on an extended pilgrimage to India. There he spent many weeks studying under a classical Baul musician born and trained in the villages of Bengal. Trevor returned from his trip and retreated deep into the green mountains of Vermont and Maine where he spilled all that he had learnt onto the page and into song, resulting in the release of Chapter of the Forest in 2014. It debuted at #3 on the iTunes Singer/Songwriter Chart and #17 on the iTunes Top Albums Chart. 

His latest album, KALA, written in Hawaii and recorded in LA, was released August 21, 2015. It debuted at #2 on the iTunes singer/songwriter chart. KALA marks the final chapter in a trilogy that chronicles Trevor’s spiritual and musical journey over the past few years. “It’s a graceful amalgam of styles by a musician who loves to embrace the music of the world.” (Popmatters)  

Bio: Citizen Cope

“Rawness improbably balanced by a mixture of danger and delicacy,” says one Rolling Stone writer, “is what gives Citizen Cope his edge. As a singer, songwriter and producer, he stands alone—an artist immune to corruption.”

Dug deep into the rich soil of American music, Cope’s roots are complex You may think of Bill Withers or Neil Young or John Lee Hooker or Van Morrison or Willie Nelson or Al Green. Yet, listening to Cope, you also may think of none of the above. You may not think at all, but rather feel a man exposing stories that haunt his heart.

He was born Clarence Greenwood, a child of the seventies, and his life journey is as singular as his art. He is the radically mashed-up product of Greenville, Mississippi; Memphis, Tennessee; Vernon, Texas; Austin, Texas; Washington, DC; and Brooklyn, New York. These locations are felt everywhere in his stories. His sounds are southern rural, big sky lonely, concrete urban, and painfully romantic.

In the past nine years, he has produced four albums of depth and distinction, each a critical chapter in his search for a sound that paints an auditory American landscape in which despair wars with hope and hope, tied to love, is elusive.

Cope’s musical education was catch-as-catch can. Folk tales—whether through William Faulkner or Big Bill Broonzy—shaped his sensitivity. A few college courses at Texas Tech alternately bored and excited him. In the Austin of the eighties, he took sound classes and found himself fooling with a primitive four-track setup. Turntables intrigued him. He heard hip hop as inspired invention. For years, he got lost in his self-designed lab, cooking up beats and motifs that only later would be shaped into songs.

In the midst of the squalor, grandeur, and hypocrisy of the nation’s capitol, Cope set up camp. Vocalist Michel Ivey recruited him as a mad scientist who feverishly concocted samples for the artsy-edgy configuration known as Basehead. As the group hit the road, Cope stayed in the background, moving dials and pushing buttons. Inside his head, he heard stories that still had not assumed full form.

The long night of gestation got even longer. Finally, as the songs gave birth, Cope assumed others would sing them. He had sculpted certain stories and developed certain sounds. As a serious artist with no interest in rock star glory, Cope presumed he’d eventually find the right voice to sing his songs.

The right voice was found. By playing in local venues, the writer/producer ultimately met the only singer equipped to narrate the idiosyncratic stories. That voice resided within his own soul. The writer/producer/singer were one, living inside the wide confines of Cope’s vision.

On record the vision is first expressed in Citizen Cope, the debut album from 2002. The artist is still finding his footing and, although his trademark poetry is firmly in place, this is the only record where the production isn’t entirely his own. The aural environment is more elaborate, the sound not yet reduced down to the common denominator that we come to know as Cope. The theme, though, is clear—it’s “Contact,” the cry for a connection to a world that is at once bewildering, necessary, and fraudulent. The issues are serious. “You’ve got them crooked politicians,” he writes, “eating up the treasury and taking our cash to spend on the prisons while the youth they fast.” The groove is insistent. “Let the Drummer Kick” is the name of the song that says, “You’ve got to bust through…mass confusion, solution, conclusion, inspiration is what pulls you through.” Busting through, pulling through, getting through to “Salvation,” a story in which Judas shows up in DC and takes aim at the singer’s soul.

STREAM LATEST ALBUM "ONE LOVELY DAY" 
https://soundcloud.com/citizencope/sets/one-lovely-day

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