Pogo

Pogo (born Nick Bertke) is an internationally renowned electronic musician and VJ from Perth, Australia. He has gained popularity for his unique work recording small sounds from a film or a specific scene, and sequencing the sounds together to form a new piece of music. In just a few months, Pogo has developed a youtube footprint of over 20 million views with only 17 videos. He has over 80,000 subscribers, making him one of the most subscribed to independent musicians online. He has been sought after and done work with Walt Disney, Pixar, Oprah's Harpo Studios, Honda, Subaru, Showtime, Art Basel in Miami, The Guggenheim in NYC and many others. Although gaining recognition through Youtube, many of Pogo's tracks are available for download at Last.fm where examples from his combined discography have been heard over 2.2 million times. Pogo is the first VJ ever to strike a long term movie remixing deal with a major movie studio. His first project from Pixar entitled Upular, outpaced Pixar's own channel views 2:1, garnering 1.5 millions views in less than a month and was praised by the Wall Street Journal. For more information, please visit http://blogs.wsj.com/speakeasy/2010/01/07/pixar-sanctioned-upular-remix-lifts-spirits/

That 1 Guy

Funky Bean, Buttmachine, Mustaches and Laser beams. It reads like a page out of a Dr. Seuss book, but for Mike Silverman, better known as That 1 Guy, it is just the reality he was searching for. At 150-200 live shows each year, people gather to see his mad scientist at work, curiously watching as That 1 Guy plugs an electric chord into the heel of a cowboy boot and transforms it into an instrument. He howls and the audience joins him like a pack of coyotes. They even chime in for the song Weasel Pot Pie, offering rhymes to finish a line about cinnamon scones: Twilight Zones? Al Capones? Frank Stallones? That 1 Guy laughs and offers the grin of a Cheshire cat. Here is a man who loves his job.

Silverman's back story is not dissimilar to other musicians: he grew up a music geek, influenced by his jazz musician father, and enrolled in San Francisco Conservatory of Music before joining the jazz scene himself as a sought-after percussive bassist. This is where the similarities end, though, and where That 1 Guy began. "In my case, being a bass player, I just felt very restricted by the instrument itself," he says. "I've always wanted to sound different and have my own sound. I was headed that way on the bass, but for me to fully realize what I was hearing in my head sonically I was going to have to do it my way." That 1 Guy set off on his own, challenging the idea of what a one-man band can and should be. Rather than altering and adding on to the bass, he started from scratch, conceptualizing and creating the Magic Pipe. Standing at seven-feet-tall, the collection of swiveling pipes, metal gears, bass strings and electronic buttons forms the shape of a harp, but is played like a futuristic gutbucket.

With his curious instrument, creative performances and abundant talent, That 1 Guy soon caught the attention of promoters around the world and began touring heavily, wowing crowds at Big Day Out, Glastonbury, Monterrey Jazz Festival, Lowlands, Wakarusa and numerous other festivals. In 2007, he joined Guns N Roses guitarist Buckethead on an American tour before headlining his own Mustaches and Laser Beams tour through North America. Despite a demanding tour schedule, That 1 Guy has no plans on slowing down in 2010. His latest album PACKS A WALLOP! brings a new dimension to his work, thanks to new sounds and a new partnership with famed sound engineer Billy Hume (Nelly, Shop Boyz, Ying Yang Twins). Recorded at Humes studio in Atlanta, GA, PACKS A WALLOP! stretches That 1 Guy's soundscapes further than ever, seamlessly combining hard-hitting rock (Modern Man), swampy blues (Step Into Striped Light) and electronic groove (Funk Bean). Hume's influence brings greater depth to the low frequencies and heavy beats. "I'm really proud of what we did with the album," says That 1 Guy. "It sounds closer to what Ive been trying to do sonically since I started."

This accomplishment required a new creative process. Whereas his last two albums, The Moon is Disgusting (2006) and Songs in the Key of Beotch (2000, re-released in 2004) were created from songs that he had already performed, That 1 Guy went into The Zone with nothing but ideas, sleeping on a mattress upstairs so he could sneak in to the studio whenever he felt inspired. "I went in there with zero, nothing finished, and I lived at the studio for a month. It was really hard work, really long days, and I forced myself to craft some stuff." The spontaneity, coupled with a tight window for completing the album, made all the difference. "Human beings do our best work when were challenged and pushed up against the wall," That 1 Guy explains. "By nature, we're hunters and gathers, spending each day looking for next meal. It's easy to be lazy when you don't have to come up with something creative right away."

His creativity continues with a new tour in support of PACKS A WALLOP! Along with the Magic Pipe, expect to see the Magic Saw and Magic Flute, as well as magic tricks. "I had never seen a magic show until about two years ago," That 1 Guy confesses. "I had no interest in it, but now I just love it. I'm like a twelve-year-old, incorporating magic tricks seamlessly into live performances, even using a playing card in place of a traditional pick. So much of my music has miraculous qualities to it because its hard to tell whats going on. There are lots of slights of hand and sonic misdirection. It feels like I was meant to do magic." Strange? Perhaps. But as Billboard noted, "In the case of Mike Silverman's slamming, futuristic funk act the normal rules of biology just don't apply. It suits That 1 Guy just fine."