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Fort Rock 2017-Def Leppard,Soundgarden, A Perfect Circle tickets at JetBlue Park in Fort Myers

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AEG Live & Danny Wimmer Presents

JetBlue Park
11581 Daniels Parkway
Fort Myers, FL 33913
Sun, Apr 30, 2017 - 12:00PM
Ages: All Ages to Enter, 21 & Over to Drink
Doors Open: 11:00 AM
Onsale: Tue, Dec 6, 2016 - 12:00AM EDT

Bio: Fort Rock

A lineup featuring some of rock’s biggest artists has been announced for the fifth annual Monster Energy Fort Rock, Saturday, April 29 & Sunday, April 30, 2017 at JetBlue Park in Fort Myers, Florida. South Florida’s Biggest Rock Festival will be led by Def Leppard (Saturday headliner), Soundgarden (Sunday headliner), and A Perfect Circle, and will feature performances from over 25 bands on two sta...ges, including The Offspring, Mastodon, Chevelle, Seether, Papa Roach, Three Days Grace, Alter Bridge, and more.

Check out the official Monster Energy Fort Rock video announcement here: https://youtu.be/AqtiPnU7AKo.

Specially priced tickets as well as VIP packages for Monster Energy Fort Rock will be available starting Tuesday, December 6 at Noon EST at www.FortRockFestival.com. Fans are encouraged to buy early and save.

The current music lineup for Monster Energy Fort Rock includes: Def Leppard, Soundgarden, A Perfect Circle, The Offspring, Mastodon, Chevelle, Seether, Papa Roach, Three Days Grace, Alter Bridge, The Pretty Reckless, Eagles of Death Metal, Highly Suspect, In Flames, In This Moment, Motionless In White, All That Remains, Nothing More, Beartooth, Starset, I Prevail, Dinosaur Pile-Up, Goodbye June, Cover Your Tracks, and more to be announced.

Bio: Soundgarden

“When I think of Soundgarden, I think of a sound, I think of one entity, one organic thing,” says singer and guitarist Chris Cornell, “but I guess that the exciting part is that it’s always been really varied.”

Hailed as grunge innovators, Soundgarden redefined rock music for a generation. In the 80s and 90s, the band’s mesmerising soundscapes and compelling lyrics seduced audiences hungry for originality. It was a sound rooted deeply within the wild landscape of the Pacific North West – an atmosphere which still resonates strongly for Cornell. “The band is dripping with it”, he says. “that indescribable longing. It’s not about the society, it’s not about the people, it’s not about the city. It’s some other thing.”

That elusive ‘other thing’ pervades Soundgarden’s brand new album ‘King Animal’, recorded close to their roots in Seattle and due for release November 13. Over a year in the making, it promises to continue the musical evolution we anticipate from one of the world’s most groundbreaking bands. One song, the yearning ‘Taree’, is a hymn to the wilderness – “my love song to the natural side of the north west where I grew up,” as Cornell explains. “It was easy to feel like we were growing up in this strange, mystical place.” By contrast, riotous album opener ‘Been Away Too Long’ is a doubled-edged blast of homecoming celebration and urban angst.

Soundgarden had been away since 1997, when its four members amicably agreed to put the band to rest while they pursued other projects.  But by 2009 they’d decided to work together again. Rehearsals for a world tour swiftly turned into songwriting sessions. "It isn’t really a matter of reinventing ourselves for a new chapter,” says Cornell. “There’s quite a bit of natural progression in just living life for 15 years....our lives progressed as they would have done if we’d still been together. We were just catching up.”

The band’s unique alchemy reasserted itself and ideas flowed freely, with some songs still under construction while others were already being mixed. “There’s a certain amount of trust...that things are going to work out, and that songs are going to appear out of nowhere. The first day we started, everybody just would play a part or an idea or a song arrangement that they had, and it started going from there,” recalls Cornell. “We had a studio engineer recording all our rehearsals and a few songs actually came out of that. The song ‘Rowing’ - Ben [Shepherd] played this incredible bass ad-lib part and because it was recorded, I went home and looped it and wrote a whole song to it. I’ve learned over the years that following Ben -- or Matt, or Kim – down these moments of creative brilliance is always a good idea.”

‘King Animal’ can be explosive, as in ‘Blood On The Valley Floor’ (“the quintessential, perfect, heavy Soundgarden song”), nightmarish (‘Worse Dreams’) or wistful (‘Halfway There’), leading us through changing sonic landscapes that can embrace both the jazz inflections of ‘Black Saturday’ and the driving simplicity of feral rocker ‘Attrition’. The subject matter is broad - Kim Thayil’s lyrics for ‘Non-State Actor’ are an incisive and cynical take on the powers behind political thrones, while Cornell’s bruised and introspective ‘Bones of Birds’ explores the terrors and vulnerabilities of parenthood. “Having children forces you to look past your own mortality,” says Cornell. “How loss is going to affect them, even long after I’m gone.”

Soundgarden remain a truly ‘alternative’ band in an age when the word has been devalued to just another genre label. Though firmly rooted in their shared sense of place, they continue to be instinctive pathfinders. “I don’t think we’ve ever had to find a compass and redirect ourselves to the north,” says Cornell. That’s never happened to us, and it certainly didn’t happen to us this time.”

Bio: A Perfect Circle

Formed by Tool vocalist Maynard James Keenan and former Tool guitar tech Billy Howerdel, A Perfect Circle is an extension of the alt-metal-fused-with-art rock style popularized by Tool in the early to mid-'90s. While similar to Tool in intensity and melancholy, A Perfect Circle is less dark and more melodic, with a theatrical, ambient quality that incorporates occasional strings and unusual instrumentation.

After the release of nima in 1996, Tool found themselves in the midst of an extended legal battle with former label Freeworld Entertainment. When the dust settled two years later, the band reached a 50/50 joint venture agreement for future recordings and, feeling a little burned out, decided to take some time off. It was at this point that Keenan joined up with Howerdel and Paz Lenchantin to form A Perfect Circle. Keenan had met Howerdel in 1992 when Tool opened for Fishbone. Howerdel had been Fishbone's tech at the time and had played Keenan a few of his songs. Keenan was impressed and the two talked of collaborating in the future. However, the opportunity didn't present itself until after the Freeworld settlement. With Keenan on vocals, Howerdel on guitar, and Lenchantin on bass, the trio recruited ex-Failure and Enemy member Troy Van Leeuwen on guitar and ex-Vandals and Guns N' Roses member Josh Freese on drums.

The quintet rehearsed together but didn't announce the formation of a new band until performing for the first time on August 15, 1999, at a benefit concert at the Viper Room in Los Angeles. Howerdel, who had been composing songs for years, as well as working with bands such as the Smashing Pumpkins and Nine Inch Nails, became the band's chief songwriter and producer. A Perfect Circle released their debut album, Mer de Noms, in 2000. Thirteenth Step followed in 2003, and the covers album Emotive appeared in 2004.

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