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Taking Back Sunday Biography

In case you don’t know us, here are some words from a long-time friend and journalist, Jonah Bayer, about our new album, Tidal Wave...

It's  difficult  to  believe  that Tidal  Wave is  Taking  Back  Sunday's  seventh  album.  While  most  of  their peers  have  either  broken  up,  faded  away  or  reunited  to capitalize  on  the  emo  scene's  wildfire  revival, Taking Back Sunday have always been the Pearl Jam of the scene in the sense that they've consistently plugged along and continued to reinvent themselves regardless of what was trendy at the time. “By the time most bands get to this point in their career they are pretty set in what they do but we were really mindful about approaching our musical ideas differently this time around and staying true to where the five of us are in our lives right now,” frontman Adam  Lazzara explains. “This album is truly an expression  of  what Taking  Back  Sunday  is  during  this  snapshot  in  time  as  opposed  to  what  we  think people expect from our band.”

This ethic is nothing new for Taking Back Sunday who started out playing basements at VFW halls in 1999  in  Long  Island  alongside  acts  like Thursday  and  Midtown  before  transitioning  into  mainstream icons via hit singles such as “MakeDamnSure” and “Set Phasers To Stun.” After losing a few members following the release of their breakthrough debut album Tell All Your Friends, the group reunited with their  original  lineup  of  Lazzara,  guitarists  John  Nolan  and  Eddie  Reyes,  bassist Shaun Cooper  and drummer  Mark  O'Connell  six  years  ago  shortly  before  the  creation  of  2011's  self-titled  album. Correspondingly Tidal  Wave is not only  the  follow-up  to  2014's Happiness  Isbut  also  marks  the  first time  the  group  have  ever  made  three  consecutive  albums  with  the  same  lineup. For Tidal  Wave, the band also brought back producer Mike Sapone and mixer Claudius Mittendorfer,who both worked on Happiness Is. “I think with this album we all really learned to trust each other with our ideas and that's something that took a while to cultivate when we first got back together,” Nolan admits. “There is no way these songs would have come out the way it did if we didn't believe that each member's ideas were worth bringing to the table.”

Tidal Wave also marks the first time that Taking Back Sunday wrote in the studio as they recorded and having that type of fluidity when it came to the songwriting also lent itself to heightened collaboration and creativity throughout the process. “It was really amazing to be able to write in the studio because we  could  come  up  with  an  idea,  perform  it  and  then listen  back  to  it  immediately  instead  of  feeling boxed in by what we did on demos,” Lazzara explains. “Every song was up for being changed or rewritten when  we  were  in the  studio,  which  was  an  approach  that  Adam  really  encouraged,  and nothing was ever set in stone in the sense that if someone had any idea for how to make a song better we would give it a shot,” Nolan adds. “That approach has potential to be really disastrous but we were fortunate enough to see everything through and use our collective judgment to take things to the next level.” Nolan specifically cites 'Homecoming' as a song the band constantly kept returning to in order to finally achieve the version that's present on Tidal Wave.

In many ways the album showcases the strengths of Taking Back Sunday's musical evolution from the blazing opener “Death Wolf” to the orchestrally tinged ballad “Fences” and syncopated anthem “Call Come Running.” However as stated earlier there are also plenty of surprises on Tidal Wave such as the four-on-the-floor title track which sees them channeling the Clash both sonically and energetically. “I think  this  idea  of  making  songs  that  we  wrote  for  ourselves  started  with Happiness  Is and  since  the reaction  to  that  album  was  so  positive  it  really  encouraged  us  to  take  that  a  step  further  with  this album,” Nolan explains. Furthermore songs like “You Can't Look Back” see Lazzara taking his vocals to stratospheric new levels in order to elevate these songs to a whole other plane of existence. “In the same spirit of being fearless when it came to the music, I tried to lean on the influence of some of my favorite singers on this album,” Lazzara explains. Case in point, during “Holy Water” it seems as if he is digging so deep that the song is the sonic equivalent of a bittersweet punch to the gut.

Admittedly the process of making Tidal Wave wasn't easy but ultimately the best art doesn't come out of stagnancy and the band couldn't be happier with the final product. “We pushed ourselves so hard that when I listen back to this album now I don't second-guess any of it,” Lazzara explains. “I just sit back and think about how glad I am that we put ourselves through that because without that persistence this record never would have evolved to what it eventually became.” Sure, it may seem ironic that Taking Back  Sunday  have  transcended  the  emo  tag  right  when  the  genre  is  undergoing  a  resurgence – but  if you really think about it, those types of decisions are exactly what have kept the band relevant. “I do so many  interviews  now  where  I  get  asked  about  the  emo  revival  and  I'm  like,  'what are  you  talking about? We never slowed down and we never quit,” he summarizes. “I think this record is going to help us reconnect with our old fans as well as cross paths with some new ones but in the end we wrote it for ourselves sand we couldn't be happier with it.”

In other words when Lazzara sings, “It's taken me all this time to see... I'm coming home” on the acoustic showstopper “Homecoming” it's not just about geography, it also parallels the next exciting chapter in Taking Back Sunday's career. Welcome back, guys.

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TIDAL WAVE is available September 16, 2016 via Hopeless Records.

For More info:

Rey Roldan / Reybee Inc. / rey@reybee.com

Maria Gironas / Reybee Inc. / maria@reybee.com

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